This podcast sees the conclusion of our trip around the world and can be heard on Itunes here or on Soundcloud here . Tracks heard on this podcast are :
- Johnny, Tu N’es Pas Un Ange by Edith Piaf (Released by Columbia (DCF 140) in 1953) Edith Piaf was born on 19th December 1915 in Paris. Her father was a street performer of acrobatics, while her mother was a singer in cafes. She was abandoned by her mother soon after birth, and when her father enlisted in the army in 1916 he gave Edith to his mother, who ran a brothel in Normandy. In the late 1920s her father was again working as a street performer and she joined him, and began singing. In 1935 she started singing at Le Gerny’s club off the Champs- Elysees where she was given the nickname La Mome Piaf (The little sparrow). This led to her first recording contract. Over the next decade she became one of the biggest stars in France, and after the war ended in 1945 her fame spread internationally. Piaf had an eventful life, which has been dramatised in several films, most recently and successfully in 2007’s “La Vie en Rose”, named after one of her most famous songs. Piaf carried on working until her death in October 1963 and some of her most famous songs were from relatively late in her career-“Milord” in 1959, and “Non, Je ne regrette Rien” and “Exodus” in 1961.
- Shanghai by Robert English (Released by Parlophone (E-5360) in 1925) Little is known about Robert English, but he recorded other records such as “Where can I find a pal like Mother?”, “Tell all the world” and “Peggy O’Halloran”. He also recorded as Robert Howe in the 1910s.
- Royal Anthem of Roumania by Jumbo Military Band (Released by Jumbo (1449) in 1916.) The Jumbo label ran from 1908 to 1919 and released records by well known artistes such as George Formby (senior), Stanley Kirkby, The Two Filberts and Miss Jessie Broughton. The Jumbo Military band recorded several records for the label including a cover of Irving Berlin’s “Everybody’s doing it” “At a Georgia camp meeting” and “Selection of Pantomime melodies”.
- In Old Madrid by Jack Payne and his BBC Dance Orchestra (Released by Columbia (CB 321) in 1931. (see below)
- Moscow by Gracie Fields (Released by His Master’s Voice (B 3244) in 1929) Gracie Fields was born 9 January 1898 in Rochdale and christened Grace Stansfield. She made her first stage appearance at the age of 7 and made her first recordings for His Master’s Voice in 1928, recording one of her biggest hits, “Sally” for them in 1931. In 1935 she moved to Rex Records, her first release for the label being “When I grow too old to dream”/”Turn ‘Erbert’s face to the wall, Mother” on Rex 8557. She recorded for both Rex and Regal Zonophone until moving to Decca in 1941. Among her other big hits are “Walter Walter (lead me to the altar”)”, “The biggest aspidistra in the world”, “Wish me luck”, and “Clogs and shawl”. Although often remembered for her comedic songs, she recorded many non comedic romantic and religious songs. During this time, of course, she also appeared in several films, including “Sally in our alley” (1931), “Sing as we go!” (1934), “Look up and laugh” (1935), “Queen of hearts” (1936), and “Shipyard Sally” (1939). Gracie spent most of her later life living on the Isle of Capri where she died on 27th September 1979. Watch Gracie singing “The sweetest song in the world” from the film “We’re going to be rich” Here
- Underneath The Russian Moon by The Rhythm Maniacs (Released by Decca (F. 1583) in 1929). Decca Records was founded in early 1929 by Edward Lewis, and he decided the label should have a “house” band, which was The Rhythm Maniacs under the direction of Philip Lewis, and featuring Arthur Lally on saxophone and Sylvester Ahola on Trumpet. They were active for around 3 years,until Philip Lewis’ premature death in 1931; Arthur Lally played with Ambrose’s band and The Savoy Orpheans, as well as recording with his own band The Million-aires. He died in 1940 aged 39. The Rhythm Maniacs other records include “The wedding in the ark”, “When it’s springtime in the Rockies”, “What good am I without you?” and “Keepin’ out of mischief now”.
- My Californian Girl by The Elliotts (Released by The Winner (3323) in 1919) The Elliotts released many records for the Winner label in the 1910s and early ’20s, including “Down Home in Tennessee”, “After you’ve gone”, “Pucker up and whistle” and “Last night on the back porch”.
- Hunting Tigers Out In Indiah by Jack Payne and his BBC Dance Orchestra (Released by Columbia (CB 151) in 1930) (See Podcast 2 blog for more info on Jack Payne). There’s a great clip of Jack Payne and his band performing “Tiger Rag” in Paris here
- Welsh Medley by Savoy Orpheans at the Savoy Hotel, London (Released by Columbia (3403) in 1924.) The Savoy Orpheans were the resident band at The Savoy Hotel in London between 1923 and 1927, and were formed by Debroy Somers (born 1890, died 1952). During this time they released many records, including “Madame Pompadour”, “Say it with a Ukulele”, “What’ll I do” and “Let’s all go to Mary’s house”. When their tenure with the hotel ended at the end of 1927 they disbanded, although in 1931 several ex members, including pianist Carroll Gibbons formed a new band under the name The Savoy Hotel Orpheans. Debroy Somers went on to lead a band using his own name, who recorded many records throughout the ’30s and into the early ’40s.
The Sixth Podcast features some of 78Man’s favourite 78s. It can be found on Itunes HERE or on Soundcloud HERE Songs heard are :
- Song of the Emmenthaler Valley by The Alpine Yodelling Choir (Released by Regal (G 9429) in 1929). Yodelling can be traced back to the 16th century and was originally used in the central Alps by herders calling their stock and to communicate between Alpine villages. It became popular as entertainment in music halls and theatres during the 1830s, and peaked in popularity in the late 1920s after Jimmie Rodgers released “Blue Yodel number 1”. Since then there have been several famous yodellers-Bill Haley began his singing career as a yodeller before switching to Rock ‘n’ Roll, while Hank Snow began his career as “The Yodeling Ranger” before becoming a big country music star. Frank Ifield had a huge hit with “She taught me to yodel” in 1962 and “The Sound of Music”, one of the most successful films of the 1960s featured the yodelling song “The Lonely Goatherd”. Despite all this, “Song of the Emmenthaler Valley” appears to be The Alpine Yodelling Choir’s only record and very little is known about them!
- Captain Ginjah by Harry Fay Harry Fay began his recording career in 1909 and made many records over the next two and a half decades, mainly as a solo artist but also duets with Florrie Forde and Stanley Kirkby. Among the well known songs he recorded are “It’s a long way to Tipperary”, “Alexander’s Ragtime Band”, “Yes! We have no bananas”, “Bless ’em all”, “Hello! Here comes a jolly sailor”, “Gilbert the Filbert” and “I Do like an egg for my tea”. He also recorded under several pseudonyms, such as Charles Denton and Fred Vernon.
- On Her Doorstep Last Night by The Rhythmic Troubadours (with vocal chorus by Tom Barratt) (Released by Regal (G 9455) in 1929). Tom Barratt was active on the recording front from the mid ’20s to the early ’30s and sang with several bands on record-the Jay Wilbur Orchestra, the Nat Starr Orchestra and the Regent Orchestra among others, as well as recording under the pseudonym of Tom Bailey. The Rhythmic Trobadours other recordings included “Ali Baba’s Camel”, “Kiss me goodnight” and “Great Day”.
- All By Yourself in the Moonlight by Randolph Sutton (Released by Edison Bell Radio (895) in 1928) Randolph Sutton was born in 1888 in Bristol, and made his stage debut in 1913. He soon became a popular singer but only began recording in earnest in the late 1920s. His other recordings include “All by yourself in the moonlight”, “Oh! Arthur! (What have you done to Martha?)”, “Is Izzy Azzy Woz?”, “Drivin’ the geese to market” and “The sun has got his hat on (He’s coming out today)”. Sutton was a successful stage performer, appearing in many pantomimes and revues, as well as radio and TV appearances (he appeared on BBC TV’s “The Good old days” in 1954.) He continued working until his death, making his final stage appearance on 26th February 1969 in St. Albans, two days before he died. A month later, Radio 2 produced a tribute programme, introduced by George Martin. His influence was such that further tribute programmes were made by Radio 2 in 1980 and 1982.
- Banana Oil by Vaughn De Leath (Released by Columbia (3720) in 1925) Vaughn De Leath was born in 1894 in Illinois,USA, as Leonore Vonderlieth, moving to Los Angeles aged 12. She started singing during the 1910s and made her first radio broadcast in 1920 for New York’s 2XG station. The following year she began her recording career and over the next decade made records for Columbia, Brunswick, Okeh, Edison, Victor and others, both under her own name and using pseudonyms such as Sadie Green, Betty Brown and Gertrude Dwyer. Her recordings as Vaughn De Leath include “Are you lonesome tonight?”, “Under the moon” and “Looking at the world through rose coloured glasses”. She continued making radio appearances throughout the ’20s and ’30s but her career waned and she died in 1943, having suffered financial problems and alcohol addiction in later years.
- Bunkey-Doodle-I-Doh by Hal Swain and his Band (Released by Regal (G 9440) in 1929). Hal Swain was born on May 9th 1894 in Canada. He learned to play saxophone and formed a band which played in Toronto between 1921 and 1924 and was then offered a job in the UK. The band came over and played at the New Prince’s Restaurant in Piccadilly as The New Prince’s Toronto Band, also gaining a recording contract with Columbia, for whom they made records such as “Chick chick chicken”, “Ukulele Baby”, “Follow the swallow” and “Is Zat So?”. This band lasted until 1926, when Hal Swain left and formed Hal Swain’s New Toronto band and continued playing at the New Prince’s until 1928. During this time the BBC broadcast dozens of appearances by the band direct from the restaurant. He then made a series of records for various labels under the name Hal Swain and his band, including “Riding on a camel”, “Saxophobia”, “My baby just cares for me”, “Goodnight, Sweetheart”, and “Tango Lady”. Hal’s recording career dried up during the ’30s but in the late ’30s he teamed up with The Swing Sisters, three female accordion players, and this team lasted until the early ’50s. He died on September 1st 1966. You can see him in 1939 with The Swing sisters Here
- Umpa Umpa (Stick It Up Your Jumper) by The Two Leslies (Released by Regal Zonophone (MR 1920) in 1935.) The Two Leslies comprised Leslie Sarony (See Podcast 1 blog) and Leslie Holmes. Holmes, like Sarony, was a singer of novelty songs (and covered many of Sarony’s compositions) although not as prolific or successful. His solo recordings included “I’ve gone and lost my little Yo-Yo”,”The old kitchen kettle”,”Ask me another”(all 1932),”What do you give a nudist on her birthday?”(1934) and “Winter draws on”(1935). The pair joined forces in 1935 and performed as a duo until 1946. The Two Leslies records included “The New Sow”, “The Campbells are coming”, “I’m a little prairie flower” and “So ‘Andsome”. The phrase “Oompah oompah Stick it up your jumper” was used subsequently by comedian Jimmy Edwards and in several Carry on films, as well as appearing at the end of The Beatles’ song “I am the walrus”.
- Pass! Shoot! Goal! By Albert Whelan (Released by Imperial (2404) in 1930) Albert Whelan was born in Melbourne, Australia on 5 May 1875 and had some success in his homeland before emigrating to the UK. He started his recording career in 1905 and made many recordings right up to 1960, his recordings including “Over the garden wall”, “Barnacle Bill the sailor”, “We all go Oo, Ha ha! Together” and “Come and have a cuddle on the common”. He also made many appearances on BBC Radio from 1928 onwards, and during the 1950s introduced a regular programme on the home service called “Mutual Friends” on which he played records. As well as radio and recording work, he also appeared in many films, including “The Man from Chicago” (1930), “The girl in the Taxi” (1937), “Danny Boy” (1941) and “Candlelight in Algeria” (1944). He died on 19th February 1961.
- Sweet and Low by The Century Quartette (Released by Columbia (3278) in 1923). The music for “Sweet and Low” was written by Joseph Barnby with lyrics taken from a poem by Alfred Tennyson, in 1865. Barnby was born in 1838 in York, and became a chorister at the age of 7 before moving on to become an organist and conductor. He died in 1896. Tennyson was born in 1809 in Lincolnshire and after attending Grammar School in Louth began studying at Trinity College, Cambridge, where he published his first poems. He was appointed Poet Laureate in 1850, a position he held up until his death in 1892. “Sweet and Low” was recorded on 78 by many artistes, including The Zonophone Glee Party (1911), Big City Four (1919), Mr. Robert Woodville (1921), and The Cloister Bells (1951)