Category Archives: 1930s

New Releases !

There are two new releases available now to download and stream on all the usual platforms. They are “78Man Presents Leslie Sarony Vol. 5” and “78Man Favourites Vol. 5”. (Note-for copyright reasons these are not available in the US). Two previous digital releases are now also available on CD, these being “78Man Presents Leslie Sarony Vol. 4” and “78Man Presents The Two Leslies”. These are available on Discogs Here . Track Listings for these releases are :

78Man Presents Leslie Sarony Vol 5

1. Coom, Pretty One (Rex 8183, 1934)
2. I Laughed So Hard I Nearly Died (Eclipse 346, 1933)
3. Hold Out Your Pudding for Jam (Eclipse 346, 1933)
4. The Old Sow (Rex 8145, 1934)
5. Jollity Farm (With Jack Hylton & His Orchestra, HMV B5744, 1930)
6. He Played His Ukulele As the Ship Went Down, Pt. 1 (Eclipse 175, 1932)
7. He Played His Ukulele As the Ship Went Down, Pt. 2 (Eclipse 175, 1932)
8. Sing Holly! Go Whistle! Hey Hey! (Broadcast Super Twelve 3026, 1931)
9. Years and Years and Years (Eclipse 871, 1934)
10.No! No! A Thousand Times No! (Eclipse 871, 1934)
11.Sarah Jane (Imperial 2108, 1929)
12.Make Up Your Mind You’re Gonna Be Young (Imperial 2399, 1930)
13.Sunny Days (Imperial 2399, 1930)
14.I Taught Her How to Play (Eclipse 849, 1934)
15.Tom Thumb’s Drum (With Jack Hylton and His Orchestra, Decca F. 2672, 1931)
16.What Are You Going to Do About Mary (Imperial 2121, 1929)
17.On Ilkla Moor Baht’At (Rex 8145, 1934)
18.Virginia (There’s a Blue Ridge Round My Heart) (The Victory 56, 1928)
19.More Rhymes, Pt. 3 (Eclipse 164, 1932)
20.More Rhymes, Pt. 4 (Eclipse 164, 1932)

78Man Favourites Vol. 5

1. The Music Goes Round and Around-Primo Scala’s Accordian Band (Rex 8719, 1936)
2. Oh Alice! Where Art Thou-Leonard Henry (Sterno 682, 1929)
3. Everything Stops for Tea-Jack Buchanan (Brunswick 2125, 1935)
4. Wunga Bunga Boo-George Formby (Regal Zonophone MR 2709, 1938)
5. I’m The Last of the Red Hot Mamas-Mabel Marks (Broadcast 450, 1929)
6. Who’s Gonna Take You Home Tonight-Roy Fox and His Band
7. Himazas-Jack Hylton and His Orchestra (HMV B 5321, 1927)
8. Puss! Puss! Puss!-The Barmy Brothers (Regal Zonophone MR 830, 1933)
9. Horsey Horsey-Jack Jackson and His Band (Decca F 6552, 1937)
10.The Teddy Bears Picnic-Jay Wilbur and His Band (Rex 8347, 1935)
11.Shout! for Happiness-New Matfair Dance Orchestra (HMV B 5984, 1931)
12.Why Waste Your Tears?-Gracie Fields (HMV B 4281, 1932)
13.Les Trois Cloches-Edith Piaf (Columbia DCX 76, 1948)
14.Lazybones-Alf Bertram and His Dance Band (Plaza P 132, 1933)
15.Things Are Looking Up-Cicely Courtneidge (HMV B 8314, 1935)
16.The Catch Record-Leslie Holmes (Imperial 2797, 1932)
17.When Are You Going to Lead Me to the Altar, Walter?-Randolph Sutton (Panachord 25366, 1932)
18.I Took My Harp to a Party-The BBC Dance Orchestra (Columbia CB 674, 1933)
19.I Can’t Wed a Woman Like That-Leonard Henry (Sterno 682, 1929)
20.Tiptoe Through the Tulips with Me-Val Layton (Broadcast 492, 1929)

78Man Presents The Two Leslies

1. Cut Yourself A Little Piece Of Cake (Regal Zonophone MR 1965 in 1935).
2. Forty Four Fousand And Five (Regal Zonophone MR 1965, 1935).
3. Now You’ve Been And Gorn And Done I (Yes Not ‘Alf You Ain’t) (Regal Zonophone MR 2457, 1937).
4. Nay! Nay! Nay! (Regal Zonophone MR 2034, 1936).
5. The Campbells Are Coming (Regal Zonophone MR 2225, 1936).
6. Down At The Hole In The Wall (Regal Zonophone MR 3183, 1939).
7. Sweet Fanny Adams (Regal Zonophone MR 3183, 1939).
8. Old Potato Jones (Regal Zonophone MR 2457, 1937).
9. The Love Bug Will Bite You (Regal Zonophone MR 2443, 1937).
10.We’re Tired Of The Tiger (Regal Zonophone MR 2061, 1936).
11.Audrey Just Laughed And Laughed (Regal Zonophone MR 2277, 1936).
12.Prairie Flower (Regal Zonophone MR 2277, 1936).
13.Why Must We Keep On Working ? (Regal Zonophone MR 2898, 1938).
14.The Dart Song (Regal Zonophone MR 2443, 1937).
15.The New Sow (Regal Zonophone MR 2061, 1936).
16.Umpa, Umpa (Stick It Up Your Jumper) (Regal Zonophone MR 1920, 1935).
17.Let Me Go Back To The Farm (Regal Zonophone MR 2898, 1938).
18.Let’s Set The Town Alight (Regal Zonophone MR 2225, 1936).
19.Miss Porkington Would Like Cream Puffs (Regal Zonophone MR 1920, 1935).
20.Good Night (Got Your Torchlight) (Rex Records 9721, 1940).

78Man Presents Leslie Sarony Vol. 4

1.Malt, Hops and Water (Eclipse 668, 1934)
2. Wheezy Anna (Imperial 2831, 1933)
3. An Elephant Never Forgets (Eclipse 668, 1934)
4. Mucking About the Garden (with Jack Hylton and His Band) (His Master’s Voice B 5696, 1929)
5. Sittin’ on a Five Barred Gate (Broadcast Super Tweleve 3013, 1931)
6. One and One Are Two (Parlophone R 273, 1928)
7. My Wife Is On a Diet (with Harry Hudson’s Melody Men) (Edison Bell Radio 1276, 1930)
8. Ain’t It Grand to Be Bloomin’ Well Dead, Pt. 1 & 2 (Imperial 2688, 1932)
9. We All Go Oo Ha Ha Together (Broadcast Super Tweleve 3013, 1931)
10.Get Up Nice and Early (with Jack Payne and his BBC Dance Orchestra & Tommy Handley) (Columbia 5555, 1929)
11.You Can’t Get a Divi On That (Eclipse 581, 1933)
12.Do You Know? (Imperial 2831, 1933)
13.When I Play on My Spanish Guitar (Eclipse 581, 1933)
14.Jolly Good Company (Eclipse 122, 1932)
15.In the Woodshed She Said She Would (Imperial 1843, 1928)
16.Oh There Ain’t Such a Thing as Worry (Eclipse 482, 1933)
17.Ice Cream (Edison Bell Radio 837, 1928)
18.Shout! For Happiness (Imperial 2451, 1931)
19.It Ain’t Half Alright Ain’t It (Eclipse 482, 1933)
20.Topsy Turvy Talk (Broadcast Super Twelve 3026, 1931)

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78Man Podcast Number 31-Fathers Day

The 31st 78Man Podcast has Fathers as its theme in celebration of this month’s Fathers Day. It can be heard on Itunes Here  and Podbean Here . Tracks heard are :

  1. Let’s Sing the Song Father used to Sing by The Hottentots (Released by Eclipse (105) in 1931). The Hottentots were a pseudonym of the Jay Wilbur band. As The Hottentots they recorded several records on Eclipse, including “Sweet Jennie Lee”, “In Geneva with Eva”, “Whistling In The Dark” and “When Yuba Plays The Rumba On The Tuba”.
  2. If a Grey Haired Lady Says How’s Your Father by Jay Wilbur and His Band (Released by Rex Records (8691) in 1936). Jay Wilbur was born (as Wilbur Blinco) in 1898. He learned piano and by 1928 had his own band, which was resident at the Tricity Hotel in London. He made his first recordings for the Dominion label, where he became musical director-his records for Dominion included “Spread a little happiness”, “Button up your overcoat” and “When Niccolo plays the Piccolo”. He moved to the Imperial label in 1931, then onto Rex Records in 1933, where he continued to record for over a decade. His Rex releases include “The wedding of Mr. Mickey Mouse”, “Sweetmeat Joe, the candy man”, “The down and out blues” and “Someone’s rocking my dreamboat”. After a brief period with Decca, he stopped recording in the late ’40s. He was also a popular radio star, appearing on BBC radio from 1936 onwards, with the programmes “Melody from the sky” and “Hi Gang!”. In later years he lived in South Africa, and died there in 1968.
  3. I’m a Daddy at 63 by Charlie Higgins (Released by Rex Records (8065) in 1933). Charlie Higgins was born circa 1897, and began his entertainment career as part of a duo called “The King’s Jesters” in 1923. In 1925 he went solo, appearing in the Revue “Magnets” at the Hippodrome in Devonport. He began his recording career in 1930 on the Broadcast label, where his records included “With Me Gloves In Me ‘And”, “Down In The Field Where The Buttercups Grow”, “Charlie’s Breach Of Promise Case”, and “Down In The Old Churchyard”. He then moved to Rex Records, where his releases included “Where The Violets Are Blue-oo And The Roses Are Red” and “Charlie Makes Whoopee”. He made a few appearances on BBC Radio and Television in 1936 and 1937, but after that his career was confined to stage work, until his retirement in the mid 50s.He died in 1978.
  4. Dream Daddy by Oliver Dance Band
  5. Beat Me Daddy Eight To The Bar by The Andrews Sisters (Released by Brunswick (03082) in 1940). The Andrews Sisters were Laverne (July 6, 1911 – May 8, 1967), Maxene (January 3, 1916 – October 21, 1995), and Patty (February 16, 1918 – January 30, 2013). They began performing together in the mid ’20s but only really came to prominence in 1937, after being signed by Decca. During the ’40s they spent a lot of time entertaining the troops while the Second World War was on, and recorded many records with Bing Crosby. Patty left to start a solo career in 1953, which led to a temporary split, but the trio reformed in 1956 and went on to make many more records before Laverne’s death in 1967. The remaining pair of sisters, Maxene and Patty briefly re-united on Broadway in the ’70s but never really worked together professionally again.
  6. Put A Bit of Powder On It Father by Billy Williams (Released by Homophon (6752) circa 1913). Billy Williams was born Richard Banks in Australia in 1878, but moved to the UK in 1899, becoming an entertainer and changing his name to Billy Williams. He made his first recordings in 1906 and over the next 9 years became a huge star and prolific recording artiste, making over 500 recordings. He billed himself as “The Man in the Velvet Suit”. He died in March 1915 aged 37. Among his most famous records are “When Father papered the parlour”, “Little Willie’s Woodbines” “Save a little bit for me”, “Come into the garden, John”, and “John go and put your trousers on”.
  7. When Father tried to kill the Cock-a-doodle-doo by Billy Williams (Released by Zonophone (511) in 1911).
  8. Tell Your Father, Tell Your Mother (That I’m Good Enough For You) by Leslie Sarony (Released by Imperial (2790) in 1932).If Leslie Sarony is remembered at all today, it is usually for writing “Jollity Farm” (covered by The Bonzo Dog Doo Dah Band on their 1967 album “Gorilla”) or “Ain’t it grand to be bloomin’ well dead”, still a popular song at funerals (and the first record to be banned by the BBC on the grounds of taste), but from the late ’20s to the end of the ’30s he was one of the UK’s most popular singers, releasing hundreds of songs on a plethora of labels, initially as a solo artist and later as part of The Two Leslies, with Leslie Holmes.  Sarony was born (as Leslie Legge Frye, his stage name of Sarony being his Mother’s maiden name) in January 1897. He began appearing on stage as a teenager but his singing career was cut short by World War One. Having survived the war he returned to the stage but it wasn’t until 1926 that he began his recording career. Over the ensuing decade and a half he recorded for Imperial, Eclipse (the Woolworths label), Victory, His Master’s Voice, Regal Zonophone, Edison Bell Radio, Rex and Parlophone among others. Making sense of the Sarony discography is a hard task, as he often recorded for different labels simultaneously, even recording multiple versions of the same song for different labels. He wrote many of his best known songs himself- “Rhymes” (covered by The Goons when they briefly reformed in the ’70s), “Gorgonzola”, “I lift up my finger and I say Tweet Tweet” “Over the garden wall” (the latter two covered by Gracie Fields), “Mucking about the garden” and “Tom thumb’s drum”. Many singers of the time recorded cover versions of Leslie’s songs. As well as writing his own songs he also covered some of the best comic songs of the day-“All by yourself in the moonlight”, “Hunting tigers out in India” (another Bonzos cover), “The old kitchen kettle” and “He played his ukulele as the ship went down” along with the lesser known classics “There’s a song they sing at a sing song in Sing Sing” and “When H’I was H’out in H’India”. What’s great about these rarely heard recordings is that 80 odd years later they’re still funny, if perhaps not always as politically correct as would be acceptable today! In 1933 Sarony teamed up with Leslie Holmes (a fellow singer of novelty songs, known as “the man with the smiling voice”) and for the next 12 years they performed as The Two Leslies recording many records such as “Sweet Fanny Adams”, “I’m a little prarie flower”, “Miss Porkington would like cream puffs” and “Umpa Umpa (stick it up your jumper)” (a phrase used at the end of The Beatles’ “I am the walrus”-wonder if John Lennon had heard the record?)Apart from an album made by Roy Hudd in 1980, Sarony didn’t record commercially after 1940 but was constantly working on stage and TV both as a singer and actor-he had appeared in several films during the ’30s and ’40s and later acted on TV shows such as Nearest and Dearest, The Gaffer, I didn’t know you cared and Minder. He worked into his 80s, appearing in Paul McCartney’s film “Give my regards to Broad Street” in 1984 and the Monty Python short “The Crimson Permanent Assurance” in 1983. Leslie died on Feb 12th 1985, and his final two TV appearances-cameos in an episode of the first series of Victoria Wood As seen on TV, and an episode of “There comes a time” (a short lived comedy starring Andrew Sachs) both aired posthumously.

    There are now 4 volumes of “78Man Presents Leslie Sarony” available on most major streaming and download sites as well as on CD, each volume contains 20 tracks, many not commercially available for over 80 years. In addition, the album “Songs that Leslie Sarony taught us” features 20 cover versions of songs written by Sarony. CDs can be ordered HERE

    9. Don’t Sell Daddy Any More Whiskey by Matty O’Neill (Released by London (HL. 1037) in 1951). Little is known about Matty O’Neill, other than there was a follow up to this record, called “Whiskey took my Daddy away”, also in 1951.

New Album Release-78Man Presents The Two Leslies

Now available for streaming and download, 78Man Presents The Two Leslies features 20 tracks taken from original 78s released in the 1930s, many not available since their original release. The Two Leslies comprised Leslie Sarony and Leslie Holmes. Tracks are :

1. Cut yourself a little piece of cake (Originally released by Regal Zonophone (MR 1965) in 1935).

2. Forty four fousand and five (Regal Zonophone (MR 1965), 1935).

3. Now you’ve been and gorn and done it (Yes not ‘alf you ain’t)  (Regal Zonophone (MR 2457), 1937).

4. Nay! Nay! Nay! (Regal Zonophone (MR 2034), 1936).

5. The Campbells are coming (Regal Zonophone (MR 2225), 1936).

6. Down at the hole in the wall (Regal Zonophone (MR 3183), 1939).

7. Sweet Fanny Adams (Regal Zonophone (MR 3183), 1939).

8. Old Potato Jones (Regal Zonophone (MR 2457), 1937).

9. The love bug will bite you (Regal Zonophone (MR 2443), 1937).

10. We’re tired of the tiger (Regal Zonophone (MR 2061), 1936).

11. Audrey just laughed and laughed (Regal Zonophone (MR 2277), 1936).

12. Prairie Flower (Regal Zonophone (MR 2277), 1936).

13. Why must we keep on working ? (Regal Zonophone (MR 2898), 1938).

14. The Dart Song (Regal Zonophone (MR 2443), 1937).

15. The New Sow (Regal Zonophone (MR 2061), 1936).

16. Umpa, Umpa (Stick it up your jumper) (Regal Zonophone (MR 1920), 1935).

17. Let me go back to the farm (Regal Zonophone (MR 2898), 1938).

18. Let’s set the town alight (Regal Zonophone (MR 2225), 1936).

19. Miss Porkington would like cream puffs (Regal Zonophone (MR 1920), 1935).

20. Good Night (Got your torchlight) (Rex Records (9721), 1940).

The album can be streamed on Spotify Here or downloaded on Itunes Here . Due to copyright reasons it is not available in the US, but will be made available shortly on CD.

78Man Podcast Number 30-Leslie Sarony

The 30th 78Man Podcast looks at Leslie Sarony and can be heard on itunes Here or on Soundcloud Here

Tracks heard on the podcast are :

  1. Let me carry your bag to Bagdad Dad by Leslie Sarony (Released by Regal Zonphone (MR 1967) in 1936).
  2. Don’t be cruel to a vegetebuel by Leslie Sarony (Released by His Master’s Voice (B. 2714) in 1928).
  3. I Lift up my finger and I say “Tweet Tweet” by Gracie Fields (Released by His Master’s Voice (B. 2999) in 1929).
  4. Rhymes by Albert Whelan (Released by Imperial (2605) in 1932).
  5. The Chicken or the egg by Leslie Sarony (Released by Victory (141) in 1929).
  6. Mucking about the garden by Jack Hylton and his Orchestra (Released by His Master’s Voice (B 5696) in 1929).
  7. The Prosperity Song by Bert Layton (Released by Eclipse (69) in 1931).
  8. Coo! Lovaduck! Crikey!Coo!Blimey! by The Two Leslies (Released by Regal Zonophone (MR 2034) in 1936).
  9. Ain’t it grand to be bloomin’ well dead Parts 1 & 2 by Leslie Sarony (Released by Imperial (2688) in 1932).

If Leslie Sarony is remembered at all today, it is usually for writing “Jollity Farm” (covered by The Bonzo Dog Doo Dah Band on their 1967 album “Gorilla”) or “Ain’t it grand to be bloomin’ well dead”, still a popular song at funerals (and the first record to be banned by the BBC on the grounds of taste), but from the late ’20s to the end of the ’30s he was one of the UK’s most popular singers, releasing hundreds of songs on a plethora of labels, initially as a solo artist and later as part of The Two Leslies, with Leslie Holmes.  Sarony was born (as Leslie Legge Frye, his stage name of Sarony being his Mother’s maiden name) in January 1897. He began appearing on stage as a teenager but his singing career was cut short by World War One. Having survived the war he returned to the stage but it wasn’t until 1926 that he began his recording career. Over the ensuing decade and a half he recorded for Imperial, Eclipse (the Woolworths label), Victory, His Master’s Voice, Regal Zonophone, Edison Bell Radio, Rex and Parlophone among others. Making sense of the Sarony discography is a hard task, as he often recorded for different labels simultaneously, even recording multiple versions of the same song for different labels. He wrote many of his best known songs himself- “Rhymes” (covered by The Goons when they briefly reformed in the ’70s), “Gorgonzola”, “I lift up my finger and I say Tweet Tweet” “Over the garden wall” (the latter two covered by Gracie Fields), “Mucking about the garden” and “Tom thumb’s drum”. Many singers of the time recorded cover versions of Leslie’s songs. As well as writing his own songs he also covered some of the best comic songs of the day-“All by yourself in the moonlight”, “Hunting tigers out in India” (another Bonzos cover), “The old kitchen kettle” and “He played his ukulele as the ship went down” along with the lesser known classics “There’s a song they sing at a sing song in Sing Sing” and “When H’I was H’out in H’India”. What’s great about these rarely heard recordings is that 80 odd years later they’re still funny, if perhaps not always as politically correct as would be acceptable today! In 1933 Sarony teamed up with Leslie Holmes (a fellow singer of novelty songs, known as “the man with the smiling voice”) and for the next 12 years they performed as The Two Leslies recording many records such as “Sweet Fanny Adams”, “I’m a little prarie flower”, “Miss Porkington would like cream puffs” and “Umpa Umpa (stick it up your jumper)” (a phrase used at the end of The Beatles’ “I am the walrus”-wonder if John Lennon had heard the record?) 

Apart from an album made by Roy Hudd in 1980, Sarony didn’t record commercially after 1940 but was constantly working on stage and TV both as a singer and actor-he had appeared in several films during the ’30s and ’40s and later acted on TV shows such as Nearest and Dearest, The Gaffer, I didn’t know you cared and Minder. He worked into his 80s, appearing in Paul McCartney’s film “Give my regards to Broad Street” in 1984 and the Monty Python short “The Crimson Permanent Assurance” in 1983. Leslie died on Feb 12th 1985, and his final two TV appearances-cameos in an episode of the first series of Victoria Wood As seen on TV, and an episode of “There comes a time” (a short lived comedy starring Andrew Sachs) both aired posthumously.

There are now 4 volumes of “78Man Presents Leslie Sarony” available on most major streaming and download sites as well as on CD, each volume contains 20 tracks, many not commercially available for over 80 years. In addition, the album “Songs that Leslie Sarony taught us” features 20 cover versions of songs written by Sarony. CDs can be ordered HERE

78Man Podcast Number 29-Ireland

The 29th 78Man Podcast has Ireland as its theme. It can be heard on Itunes Here or on Soundcloud Here. Tracks heard are :

  1. Did your mother come from Ireland? by Joe Petersen (Released by Rex Records (8949) in 1936). Although promoted as a boy singer, Master Joe Petersen was in fact female, his/her real identity being Mary O’Rourke, born in Helensburgh, Scotland, in 1913. In 1915 the family moved to Glasgow, and as a child Mary and her brother Joe entertained family and friends with their singing. Mary left school at 14 and began work, as well as singing locally in music halls. In 1930 she moved to London, intent on a career in music. In London she stayed with her Uncle, Ted Stebbings, who was an entertainer and impressario himself. Boy singers were popular at the time and Ted had several boy singers on his books but had the problem that their voices broke, ending their careers. It was Ted who had the idea of Mary impersonating a boy to solve this problem. Although initially reticent, she agreed and Joe Petersen was born. She initially recorded with Harry Bidgood’s dance band, before signing to Rex Records in 1934, releasing dozens of records for them over the next eight years, including “Just a little grey haired lady” (1934), “Old Mammy mine” (1935), “It’s a sin to tell a lie” (1936), “I’m sending a letter to Santa Claus” (1939), and “When they sound the last all clear” (1941). She also recorded under the names Wilfred Eaton and Michael Dawnay. By the late 1930s Joe was one of the biggest stars in the UK, but behind the scenes things were not so good, Mary being trapped in an unhappy marriage, a situation which led her to turn to drink for solace. The second world war hit the record industry badly, and she made no further records after 1942. After the war her appearances were mainly limited to Scotland. Mary battled alcoholism for the rest of her life, but was still performing as Joe as late as 1963. She died on December 24th, 1964.
  2. My girl’s an Irish girl by Bing Crosby (Released by Brunswick (03882) in 1948). Bing Crosby was born in May 1903, in Tacoma, Washington, US (originally named Harry, he was nicknamed Bing as a child and the name stuck). As a teenager he saw singers while working at his local auditorium, but it wasn’t until he was 20 that he started singing in a band himself, called The Musicaladers. Two years later this band split and he started singing with a vocal trio, The Three Harmony Aces. He then formed a duo with Al Rinker, with whom he made his first record, “I’ve got the girl” in 1926. The act then expanded to a trio again, with the addition of Harry Barris, and were rechristened The Rhythm Boys. Several successful records followed before Bing was offered a solo recording contract in 1931 with Brunswick records. Over the next decade he became one of the most successful American singers worldwide, with hits such as “Stardust” (1931), “Please” (1932), “Let me call you sweetheart” (1935), “Basin Street Blues” (1937) and “My melancholy baby” (1939). It was during the ’30s that Bing also started appearing in films, such as “College Humor” (1933), “She loves me not” (1934), “Anything goes” (1936), “Sing, you sinners” (1938) and “East side of heaven” (1939). As well as appearing in films and releasing records, Bing also had his own US radio series. In 1942 Bing released what would become his most famous recording, “White Christmas”, which was also used in the film “Holiday Inn”. He re-recorded the song in 1947 after the original master became damaged and the record still sells every Christmas. Bing continued recording, appearing in films, radio and TV into the 1970s, right until his death in October 1977 (he gave his last live performance 4 days before his death, and recorded his last radio session and interview the following day.)
  3. Laughing Irish Eyes by Billy Cotton and his Band (Released by Regal Zonophone (MR 2189) in 1936). Billy Cotton was born in London on May 6th 1899. He started playing drums during the Great War, and went professional in the early ’20s, starting his own band in 1925. His recording career started shortly after and he made many records over the years, including “I’m Smiling through my tears” (1928), “The new Tiger rag” (1930), “Rhymes” (1931), “Skirts” (1933), “I’m on a see saw” (1934), “Basin Street blues” (1936), and “I wish I could fish” (1941). During the Second World War he spent time entertaining the troops, and in the ’50s and ’60s he presented “The Billy Cotton Band show” on radio and TV. He died on March 25th, 1969.
  4. Smiling Irish Eyes by Gerald Adams (Released by Regal (G 9428) in 1929). Gerald Adams was active in the recording world in the 1920s and early ’30s, His other records include “Only a broken heart” (1920), “Omaha” (1921), “Sanctuary” (1922), “Maggie McGhee” (1925), “Oh, how I miss you tonight” (1926), “The song is ended” (1928), “Daisy Bell (A bicycle made for two)” (1930) and “You will remember Vienna” (1931).
  5. Danny Boy (Londonderry Air) by Dennis O’Neil (Released by Edison Bell Radio (1399) in 1930). Dennis O’Neil was an Irish actor and singer, born in 1886, who came to prominence in the 1910s. His other records include “Sometimes you’ll remember” (1916), and “Terence’s Farewell” (1931). He appeared in the films “No Lady” (1931), “Danny Boy” (1934), “Barnacle Bill” (1935) and “Father O’Flynn” (1935). He died in 1952.
  6. Killarney is Calling to me by The Hottentots (Released by Eclipse (218) in 1932). The Hottentots were a pseudonym of the Jay Wilbur band (see Podcast 13 blog-January 2017 for more info on Jay Wilbur.) As The Hottentots they recorded several records on Eclipse, including “Sweet Jennie Lee”, “In Geneva with Eva”, “Whistling In The Dark” and “When Yuba Plays The Rumba On The Tuba”.
  7. When It’s Moonlight by Killarney by The Biltmore Players (Released by Eclipse (30) in 1931). Like The Hottentots, The Biltmore Players were a pseudonym for the Jay Wilbur band. Their other releases for Eclipse included “Good Friends”, “When it’s night time in Nevada”, “Prosperity Song”, “Elizabeth” and “The Waltz you saved for me”.
  8. Jigs by Leo Rowsome (Released by HMV (B.D. 1312) in 1950. Leo Rowsome was born in Dublin in 1903. Both his Father and Grandfather played the Uilleann pipes (Irish bagpipes), and Leo learned to play as a child, becoming a teacher at the Dublin school of music at the age of 16. His Father made and mended pipes, and Leo took over the business when his Father died. In the early ’20s he became the first piper to perform on Irish National Radio, and in 1933 became the first Irish artist to appear on BBC TV. He recorded for Imperial, Columbia, Decca and His Master’s Voice, and was active musically up to his death in 1970.
  9. There’s a little bit of Irish by Joe Lynch (Released by Beltona (BE 2668) in 1956). Joe Lynch was born in 1925 in County Cork, Ireland. Mainly known as an actor, in the 1950s he also had a radio show and a brief singing career, his other records including “Pretty little Galway girl”, “By the banks of the calm winding Feale”, “The pride of Tipperary”, and “Homes of Donegal”. As an actor, he came to prominence during the ’60s and ’70s, appearing in films such as “Girl with green eyes” (1964), “Ulysses” (1967), “Loot” (1970), and “The Outsider” (1979), and in TV Series such as “Compact” (1964), “Never mind the quality, feel the width” (1967-1971), “The Frighteners” (1973), “Rule Britannia!” (1975) and “Coronation Street” (1978-1980). He was a regular in the 1990s on the Irish TV series “Glenroe”, making his last appearance in 2000. He died in 2001.

78Man Podcast Number 28-Mothers Day

The 28th 78Man podcast commemorates UK Mothers day which fell on March 11th this year. It can be heard on itunes Here and on Soundcloud Here. Tracks heard are :

  1. Old Mother Hubbard by The Blue Mountaineers (released by Broadcast Four-Tune (502) in 1933.) The Blue Mountaineers recorded quite a few records for the Broadcast labels from 1932-1934, and consisted mainly of musicians from Ambrose’s band, often with Nat Gonella or Sam Browne on vocals. Other Blue Mountaineers recordings include “Bahama Mama”, “Say to yourself I will be happy”, “Sweet Sixteen and never been kissed”, and “Is I in love? I Is!”.
  2. Dear Little Irish Mother by Harry Bidgood and his Broadcasters (released by Broadcast (138) in 1927). Harry Bidgood was born in London in 1898. He studied at The Royal College of Music, and began a lengthy recording career in the mid ’20s. Bidgood released records under his own name, as well as Primo Scala’s Accordion band, Nat Lewis, Rossini, Don Porto, Manhattan Melodymakers and Al Benny’s Broadway Boys. Records released under his own name include “Por Ti (Gor thee)” (1926), “Moonbeam I kiss her for thee” (1927), “Our bungalow of dreams” (1928), “Misery Farm” (1929), and “Sunnyside up” (1930). He was also musical director on several George Formby films. His most successful pseudonym was Primo Scala, and he was still broadcasting regularly as Primo Scala up to his death in November 1957. His Primo Scala releases include “The man on the flying trapeze”(1935), “Why did she fall for the leader of the band?”(1936), “Meet me down in Sun valley” (1938), “Waltzing Matilda” (1940), “Tica-Ti, Tica-Ta” (1942), “The echo told me a lie”(1949), “Rudolph the red nosed reindeer” (1950), and “Mockin’ Bird Hill”(1951).
  3. Hello Mom by Bing Crosby (released by Brunswick (03510) in 1944). Bing Crosby was born in May 1903, in Tacoma, Washington, US (originally named Harry, he was nicknamed Bing as a child and the name stuck). As a teenager he saw singers while working at his local auditorium, but it wasn’t until he was 20 that he started singing in a band himself, called The Musicaladers. Two years later this band split and he started singing with a vocal trio, The Three Harmony Aces. He then formed a duo with Al Rinker, with whom he made his first record, “I’ve got the girl” in 1926. The act then expanded to a trio again, with the addition of Harry Barris, and were rechristened The Rhythm Boys. Several successful records followed before Bing was offered a solo recording contract in 1931 with Brunswick records. Over the next decade he became one of the most successful American singers worldwide, with hits such as “Stardust” (1931), “Please” (1932), “Let me call you sweetheart” (1935), “Basin Street Blues” (1937) and “My melancholy baby” (1939). It was during the ’30s that Bing also started appearing in films, such as “College Humor” (1933), “She loves me not” (1934), “Anything goes” (1936), “Sing, you sinners” (1938) and “East side of heaven” (1939). As well as appearing in films and releasing records, Bing also had his own US radio series. In 1942 Bing released what would become his most famous recording, “White Christmas”, which was also used in the film “Holiday Inn”. He re-recorded the song in 1947 after the original master became damaged and the record still sells every Christmas. Bing continued recording, appearing in films, radio and TV into the 1970s, right until his death in October 1977 (he gave his last live performance 4 days before his death, and recorded his last radio session and interview the following day.)
  4. My Mother’s Eyes by Maurice Elwin (released by Zonophone (5397) in 1929). Maurice Elwin was born in 1898 in Glasgow, his real name being Norman MacPhaill Blair. He moved to London and regularly appeared with the Savoy Orpheans in the ’20s and ’30s. He recorded for Zonophone, Decca, Imperial and Rex during the late ’20s and first half of the ’30s, his records including “You’re in my heart” (1929), “It happened in Monterey” (1930), “I surrender, dear” (1931), “Lullaby of the leaves” (1932), “The Gold digger’s song (We’re in the money)” (1933), “Everything I have is yours” (1934) and “Gloomy Sunday (The Famous Hungarian Suicide Song)” (1936). He later became a music teacher in Hampstead, and died in 1975.
  5. Mother from the Train by The Beverley Sisters (released by Decca (10832) in 1956). The Beverley Sisters were a UK trio comprising sisters Joy (1924-2015) and twins Teddie and Babs (born 1927) Chinery. They came to prominence after successfully auditioning to sing in an advert for Ovaltine, and then for BBC Radio in 1944. They made many appearances on BBC Radio during the late ’40s an early ’50s, and signed to Columbia Records in 1951, then to Philips in 1953 and finally Decca in 1955. They scored their first UK hit with “I Saw mommy kissing Santa Claus” in 1953 and had several other hits over the following years including “Willie Can” (1956), “I Dreamed” (1957), “Little drummer boy” (1959) and “Green Fields” (1960). The group’s hits dried up in the early ’60s and they rarely recorded after then, although they continued to sing live and appear on TV. As late as 2009 they were still making occasional live appearances, before retiring.
  6. Grandmother’s Wedding Dress by Ronnie Ronalde (released by Columbia (DB 2852) in 1951). Ronnie Ronalde was born (as Ronald Waldron) in 1923 in London, growing up in Islington. His family was poor and as a child he earned money by entertaining people with his singing, mimicry, whistling and bird song.As a teenager he joined Arturo Steffani’s Silver Songsters, and Steffani later became his manager, steering his career to success from the late ’40s onwards. He signed to Columbia Records, his 78 releases including “In a monastery garden” (1949), “Let me sing in echo valley” (1950), “Down by the old zuyder zee” (1951), “The Skye Boat Song ” (1953), and “The Yodellin’ Rag” (1956). After his initial success in the ’50s he continued making live, radio and TV appearances but slowly withdrew from the limelight. He moved to Guernsey in the ’60s where he bought a hotel, then to the Isle of Man in the late ’80s and finally to New Zealand and Australia in the ’90s. He moved back to the UK a few years before his death in 2015.
  7. Grandma’s Ball by Johnny Dodds’ Chicago Footwarmers (released by Columbia (Swing series 144) in 1953, recorded 1927). Johnny Dodds was born in 1892 in Waveland, Mississippi, but moved to New Orleans in his teens and started learning to play the clarinet. After a move to Chicago he joined Oliver’s Creole Jazz Band, with whom he made his first recordings in 1923. In the next couple of years he also recorded with Louis Armstrong’s Hot Five and Jelly Roll Morton’s Red Hot Peppers. In the late ’20s he recorded with his own bands, his records including “Oh Daddy”, “New St. Louis Blues”, “Clarinet wobble”, “Joe Turner blues”, “After you’ve gone” and “Wildman blues”. Ill health meant he only recorded twice during the 1930s, and he died in August 1940, aged 48.
  8. Your mother and mine by Doris Day and The Four Lads (released by Columbia (DB 3256) in 1953). Doris Day (born Doris Kappelhoff) was born in April 1922 in Cincinatti, Ohio. She began her entertainment career as a dancer while still a child, but a car accident at 15 injured her leg and curtailed her dancing career. While recuperating, Doris listened to the radio and sang along, which spurred her mother to pay for singing lessons. She began singing live locally and appeared on local radio which led to her singing with Barney Rapp, Bob Crosby, Jimmy James and Les Brown. It was with Les Brown that she scored her first hit record in 1945 with “Sentimental journey.” She went on to make dozens of records, including “Pretty Baby” (1948), “I Don’t Wanna Be Kissed By Anyone But You” (1950), “I Love The Way You Say Goodnight” (1951), “I’ll see you in my dreams” (1952), “Mister Tap Toe” (1953), “Love me or leave me” (1955), “Whatever Will Be, Will Be (Que Sera, Sera)” (1956) and “The Tunnel of love” (1959). During this period Doris also began appearing in films, including “Romance on the high seas” (1948), “Tea for two” (1950), “April in Paris” (1952), “Young at heart” (1954), “The Man who knew too much” (1956) and “Pillow Talk” (1959). Her film career flourished in the early ’60s but by the end of the decade her popularity was in decline, although she did host her own TV show between 1968 and 1973. Since then Doris has largely retired from the entertainment industry, with only occasional appearances and recordings. She is more involved with animal welfare charities, running the Doris Day Animal Foundation and the Doris Day Animal League. At the time of writing, Doris Day has recently celebrated her 96th birthday.
  9. Mama by David Whitfield (released by Decca (F 10515) in 1955). David Whitfield was born in Hull, UK, in 1925. As a child he sang in his church choir, then, while in the navy during World War 2, entertained his colleagues with his singing. After the war he entered Radio Luxembourg’s talent show “Opportunity knocks” which led to a recording contract with Decca Records. His records included “I Believe” (1953), “Answer Me” (1953), “Cara Mia” (1954), “Lady of Madrid” (1955), “My Son John” (1956), “The Adoration waltz” (1957), and “Love is a stranger” (1958). As well as having great success in the UK, he became the most successful British singer of the ’50s in the US, and his 1954 hit “Cara Mia” became the first record by a UK singer to top both the UK and US charts.Despite his huge popularity the hits had dried up by the end of the ’50s, although he carried on performing up to his death in 1980.

78Man Podcast Number 27-The Beatles 2

The 27th 78Man Podcast has Beatles related 78s as its subject again (podcast number 10 was the first Beatles podcast). It can be heard on itunes Here or on Soundcloud Here . Tracks heard on the podcast are :

  1. Maggie May by The Vipers Skiffle Group (released by Parlophone (R 4289) in 1957).The Vipers Skiffle Group formed in the spring of 1956, initially comprising Wally Whyton, Johnny Martyn, and Jean Van Den Bosch (later replaced by Freddy Lloyd). A few months later Tony Tolhurst and John Pilgrim joined and they gained a residency at the legendary 2i’s coffee bar. Within a matter of months they were signed to Parlophone by George Martin and their first single “Ain’t you glad” was released before the end of 1956 but didn’t chart. Their second single, “Don’t you rock me, Daddy-O” was a hit, however, reaching number 10 in the UK charts in February 1957. Two further hits followed the same year, “Cumberland Gap” and “Steamline Train” but the skiffle boom petered out and later records such as “Pay me money down” and “Summertime blues” (released as “The Vipers”) failed to chart. The group split in 1960 when their contract with Parlophone expired.
  2. Moonlight Bay by Bing and Gary Crosby (released by Brunswick (04781) in 1951). Bing Crosby is featured in the blog about Podcast 25 Here . His son Gary was born in June 1933, one of four sons Bing had with Dixie Lee. He sang with his brothers (Philip, Lindsay, and Dennis) in The Crosby Boys from the ’40s through to the ’60s, as well as releasing a few solo records and duets (with Louis Armstrong and Sammy Davis Jr.). As well as “Moonlight bay” he also recorded several other songs with his father, including “Sam’s song”, “Play a simple melody” and “Down by the riverside”. He also had a moderately successful acting career, appearing in films such as “Mardi Gras” (1958), “Holiday for lovers” (1959), “The right approach” (1961) and “Girl Happy” (1965). He died in August 1995.
  3. Raunchy by Winifred Atwell (released by Decca F. 10987) in 1958). See the previous blog for info on Winifred Atwell Here . “Raunchy” plays an important part in The Beatles story as it was the tune which George Harrison played to John Lennon when he was introduced to him by Paul McCartney. Despite George being more than 2 years younger than John he was invited to join the band because of how well he played this song. “Raunchy” was originally released by Bill Justus, who co-wrote the song with Sidney Manker. Cover versions have been recorded by many artists, including Ernie Freeman, Ken Mackintosh, The Ventures, Bill Black, Tom and Jerry, Ace Cannon, Billy Strange and The Incredible Bongo Band.
  4. Young Blood by The Coasters (released by London (H-E. 8450) in 1957). The Coasters formed in late 1955 and were signed to Atlantic Records in the US immediately, working with the songwriters Leiber and Stoller. Their first single, “Down in Mexico” was a hit on the R&B chart in 1956 but it was their second single “Young Blood”/”Searchin'” which brought them major success on the pop chart in the US, also reaching number 30 in the UK. A string of hits followed-“Yakkety Yak”, “Charlie Brown”, “Poison Ivy” and “Along Came Jones”, but by the early ’60s the hits ran dry. The band carried on with an ever changing line up, and continues to this day although there are now no original members.
  5. The Saints by Jack Parnell and his Orchestra (released by Parlophone (R 4083) in 1955). Jack Parnell was born in London in 1923 into a theatrical family-his uncle was theatre impresario Val Parnell. He took up playing drums and during the ’40s and ’50s was voted best drummer in the Melody Maker readers poll for several years. His band made their first records in the mid ’40s and their releases include “Soft Noodles” (1945), “On the sunny side of the street” (1947), “The White Suit Samba” (1951), “Catherine Wheel” (1953), and “Shake, Rattle and Roll” (1955). In 1956 he was appointed musical director for ATV, a role he kept until 1981, working on TV shows as diverse as “The Benny Hill Show”, “The strange world of Gurney Slade”, “The Golden Shot”, “This is Tom Jones”, “The Muppet Show” and “Family Fortunes”. He died in 2010.
  6. You Gotta Go Oww! by Count Jim Moriarty with Graveley Stephens (pharmacological pianist) and the Massed Alberts (released by Parlophone (R 4251) in 1956). Count Jim Moriarty was a pseudonym for Spike Milligan, and was originally a character voiced by Milligan in the Goon Show. Spike Milligan was born in 1918 in India, to an Irish father who was serving in the British army, and a British mother. His first 12 years were spent in India and Burma, before the family moved to London in 1931. His entertainment career began when he performed in jazz bands as a trumpeter and vocalist, before being called up to serve in World War Two. At this time he began writing surreal stories and sketches. After serving in North Africa and Italy, he was injured and spent most of the rest of his time in the army entertaining the troops. After being demobbed, Milligan returned to the UK and initially continued playing jazz music for a living, but wanted to break into radio as a writer/performer. After writing for the Derek Roy radio show, he teamed up with Peter Sellers, Harry Secombe and Michael Bentine to form The Goons, and secured a weekly show on BBC Radio, although their first shows went out under the name Crazy People. The Goon Show became a radio institution during the ’50s although the pressure of writing a weekly script took its toll on Milligan’s mental health. At the height of The Goons popularity Milligan also co-wrote and co-starred (with Sellers) in three TV series-The Idiot Weekly, price 2d, A Show called Fred, and Son of Fred. In 1963 the Three main Goons (Bentine only appeared in the first couple of radio series) voiced the puppet TV show The Telegoons and Milligan went on to make several TV shows-The World of Beachcomber (1968), Curry and chips (1969), Q5 (1969), Q6 (1975), Q7 (1977), Q8 (1978), Q9 (1980) and There’s a lot of it about (1982). As well as radio and TV appearances, Milligan also published several books of prose and poetry, and appeared in theatre and film. He died in February 2002.
  7. Bad Penny Blues by Humphrey Lyttelton and his band (released by Parlophone (R 4184) in 1956). Humphrey Lyttleton was born in May 1921 at Eton College in Berkshire, UK, where his father was a house master. As a result, he himself was educated at Eton. It was at Eton that he developed his love for jazz music, and taught himself to play the trumpet. After serving in the second world war, Lyttleton earned a living as both a musician and cartoonist for the Daily Mail. He made his first recordings in the late ’40s for small labels such as Tempo, London Jazz and Melodisc (the latter with Sidney Bechet). In 1950 he signed to Parlophone, where he remained for most of the next decade. His recordings for the label include “Snake Rag” (1950), “Trog’s blues” (1951), “East Coast Trot” (1954), “Fish seller” (1955) and “Love, love, love” (1956). In later years Lyttleton became a radio personality, presenting “The Best of Jazz” on BBC Radio 2 from 1967 to 2007, and the comedy panel show “I’m sorry I haven’t a clue” on BBC Radio 4 from 1972 until his death in April 2008.
  8. Gamblin’ Man by Lonnie Donegan (released by PYE Nixa (N. 15093) in 1957). Lonnie Donegan was born Anthony James Donegan in April 1931 in Glasgow, although his family moved to London two years later. As a child he was interested in music and bought his first guitar at 14. While still a teenager he joined Chris Barber’s band. In 1952 he formed the Tony Donegan jazz band but changed his name to Lonnie after supporting blues singer Lonnie Johnson at the Royal Festival Hall, although he was also still playing with Chris Barber’s band (which had been renamed Ken Colyer’s Jazzmen). In 1954 Lonnie recorded a couple of records for the Decca label (one of which, “Rock Island Line” was a hit two years later) but it wasn’t until he signed to the PYE Nixa label in 1956 that he began to chart regularly with hits such as “Lost John”, “Bring a little water Sylvie”, “Don’t you rock me Daddy-O”, “Cumberland Gap”, “Jack O’Diamonds”, “Tom Dooley”, “Does your chewing gum lose it’s flavour”, “My old man’s a dustman”, and “Have a drink on me”. Between 1956 and 1962 he scored 31 top 40 UK hits, while also having success in the US. Donegan was a victim of Beatlemania and the other ’60s beat groups and had no further hits, although he continued playing live, in both the UK and the US. It was while touring the US in 1976 that he had his first heart attack, and he was plagued by ill health thereafter, finally dying of a heart attack in 2002.
  9. I’ll see you in my dreams by The Beverley Sisters (released by Decca (F 10853) in 1957). The Beverley Sisters were a UK trio comprising sisters Joy (1924-2015) and twins Teddie and Babs (born 1927) Chinery. They came to prominence after successfully auditioning to sing in an advert for Ovaltine, and then for BBC Radio in 1944. They made many appearances on BBC Radio during the late ’40s an early ’50s, and signed to Columbia Records in 1951, then to Philips in 1953 and finally Decca in 1955. They scored their first UK hit with “I Saw mommy kissing Santa Claus” in 1953 and had several other hits over the following years including “Willie Can” (1956), “I Dreamed” (1957), “Little drummer boy” (1959) and “Green Fields” (1960). The group’s hits dried up in the early ’60s and they rarely recorded after then, although they continued to sing live and appear on TV. As late as 2009 they were still making occasional live appearances, before retiring.