Tag Archives: 78RPM

78Man Podcast Number 23-Birds

The theme for the twenty third 78Man podcast is Birds. It can be found on Soundcloud Here and on itunes Here . Tracks heard on the podcast are :

  1. If I Were Only A Swallow by Gloria Jean (Originally released on Brunswick (2970) in 1940. Gloria Jean was born in Buffalo, New York in 1926. She began her career at an early age, making her radio debut at the age of three, and singing with Paul Whiteman’s band. At the age of 12 she became the youngest person to be engaged by an Opera Company, and at 13 was signed by Universal, and appeared in her first film, The Under-Pup. Further film roles followed, and she starred with Bing Crosby in “If I had my way” (1940), and WC Fields in “Never give a sucker an even break” (1941). By 1949 she had appeared in 23 films. During the ’50s she appeared more on TV and stage than in film, and by the early ’60s film work had dried up. She gave up acting and worked for a cosmetics firm until her retirement.
    2. The Blue Danube by Musical Dawson and his Famous Choir of Canaries (Released by Broadcast (910) in 1932).  Possibly the epitome of a novelty act, Musical Dawson’s Famous Choir of Canaries nevertheless managed a sustained career, appearing on stage, record and Pathe newsreels from the early ’30’s well into the ’40s. Their other records include “Bells across the meadow”, “Barcarolle”, Love’s old sweet song”, “Londonderry air” and “Liebestraume”. You can see Musical Dawson and his canaries from 1938 in a Pathe film Here
    3. The Parrot (On The Fortune Teller’s Hat) by Ethel Smith (Released by Brunswick (3632) in 1946.) Ethel Smith was born in 1902 and began her musical career early in life, becoming an accomplished organist. She travelled widely and while in South America learnt to play Latin music, for which she is best remembered. Her recordings include “Tico-Tico” (1945), “Toca Tu Samba” (1947), “Easter Parade” (1948), “The Harry Lime Theme” (1950), and “I’m walking right behind you” (1953). She died in 1996.
    4. The Woody Woodpecker by Anne Shelton (Released by Decca (F 8951) in 1948.) Anne Shelton was born in South London in November 1923, and began singing on the radio show “Monday night at eight” aged 12, gaining a recording contract 3 years later. During the war she appeared many times on the BBC’s forces radio service, often alongside Vera Lynn. After the war she had a regular BBC radio show with band leader Ambrose and then her popularity spread to America, and she toured the US in 1951. In 1956 she had a UK number one single with “Lay down your arms”. She made regular appearances on radio and TV all through the ’50s and ’60s; in 1961 she hosted her own TV show, “Ask Anne”. In 1978 she appeared on the Royal Variety Performance, and in 1984 presented a TV tribute to Glen Miller. She continued performing until her death in July 1994.
    5. Goosey Gander by Woody Herman and his Orchestra (Released by Parlophone (R 2990) in 1946). Woody Herman was born in 1913 in Milwaukee, Wisconsin, USA. He began as a child performer, singing and tap dancing, before learning to play the clarinet and saxophone. He joined the Tom Gerun band as singer before fronting his own band which signed with Decca Records in 1936. It was, however, two and a half years before they scored their first hit with “Woodchopper’s Ball” in 1939. Other hits followed, such as “Blues in the night” (1942), “Do Nothing till you hear from me” (1943 ) ,and “The Music stopped” (1944). Although Herman’s heyday was in the ’40s and ’50s, he continued performing up to his death in 1987.
    6. The Ugly Duckling by Danny Kaye (Released by Brunswick (5031) in 1952) Danny Kaye was born (as David Daniel Kaminsky) in Brooklyn, New York in 1911. In his early 20s he joined a vaudeville dance act, The Three Terpsichoreans, with whom he toured America and Asia. In the mid to late ’30s, now a solo act, he worked on stage and appeared in a few short films. His growing success on Broadway led to his first feature film, “Up in arms” in 1944, which led to a series of successful films, including “The secret life of Walter Mitty” (1947), “On the Riviera” (1951), “Hans Christian Anderson” (1952), “White Christmas” (1954) and “Merry Andrew” (1958). At the same time he also had a successful radio and recording career, his records including “Tubby the Tuba” (1948), “I’ve got a lovely bunch of cocoanuts” (1949), “Love me or leave me” (1950), “Wonderful Copenhagen” (1952) and “I love you fair dinkum (Dinky di I do)” (1955). In the ’50s and ’60s he moved into television, including his own “Danny Kaye Show” (1963-1967), as well as appearing on “What’s my line?” and “Here’s Hollywood”. He died in 1987.
    7. Cuckoo by Leslie Sarony (Released by His Master’s Voice (B. 2391) in 1927. Leslie Sarony was born in Surbiton, Surrey on 22 January 1897 and was Christened Leslie Legge Tate Frye. After serving in the first world war, he took his Mother’s maiden name as his surname and began a long career in entertainment, which took in radio appearances, appearances in films (the first being Hot Water and Vegetabuel in 1928), and recordings of mainly humourous songs, many of which he wrote himself. According to the sleeve notes of his 1980 album “Roy Hudd presents Leslie Sarony”, Leslie said “I recorded for every company in the country”, and there are a bewildering amount of 78s on a multitude of different labels to collect. The same sleeve notes state that there were over 350 Leslie Sarony recordings, but that he recorded many more under assumed names (including Layton and Victor Payne). Some of Leslie’s best known songs from this time include “Jollity farm” (later covered by The Bonzo Dog Doo Dah Band), “Ain’t it grand to be bloomin’ well dead”, “I lift up my finger and say “Tweet Tweet”” (also recorded by Gracie Fields among others), “Fourteen Rollicking Sailors” and “Rhymes”. In 1934 he teamed up with Leslie Holmes to form The Two Leslies, a partnership which lasted until 1946. Apart from the previously mentioned Roy Hudd album, Leslie stopped recording in 1939 and later moved into acting, appearing in TV shows such as The Passing show (1951), Dial 999 (1959), Crossroads (1964), Steptoe and Son (1965), Z-Cars (1962 and 1969), Nearest and dearest (1969), The Sweeney (1975), I didn’t know you cared (1979), Minder (1982) and Victoria Wood as seen on TV (1985). He also appeared in the Monty Python short film “The Crimson Permanent Insurance” (1983). Throughout his life he had a lengthy stage career, lasting from around 1922 right up to his death, on February 12th 1985, aged 88.  Here he is in a British Pathe film from 1932 : https://www.youtube.com/watch?v=8ywR6IqaVcU
    8. Aint Nobody Here But Us Chickens by Louis Jordan and his Tympany Five (Released by Brunswick (3778) in 1947). Louis Jordan was born in July 1908, in Arkansas, USA, into a musical family, his father being a music teacher. He learnt the clarinet at an early age, playing with his father’s band. In the early ’30s he began playing with the Clarence Williams band, and in 1936 joined the Savoy Ballroom Orchestra, where he became lead male singer (alongside Ella Fitzgerald). Two years later Jordan went solo with his own band, who were initially called the Elks Rendezvous band, before changing to the Tympany Five. They signed to Decca in the US, and over the next 15 years released many records, including “Mama Mama Blues” (1941), “G.I. Jive” (1944), “That chick’s too young to fry” (1946), “Pettin’ and Pokin'” (1947), “Saturday night fish fry” (1949), “Dad gum ya hide, boy” (1954), and “I want you to be my baby” (1955). After declining popularity in the early ’50s, he left Decca in 1954,and had a series of short lived recording contracts on smaller labels, never regaining his previous popularity. He died in 1975.
    9. When The Swallows Say Goodbye by The Stargazers (Released by Decca (F. 10696) in 1955). The Stargazers were formed in 1949 by Cliff Adams and Ronnie Milne. Dick James, later a solo singer and then music publisher for The Beatles, was also an original member. The group went on to big success in the UK-their first two hits were number 1s- “Broken Wings” in 1953 and “I see the moon” in 1954 and they also backed Dickie Valentine on the 1954 number 1 “The Finger of suspicion”. Other hits included “The Happy Wanderer” (1954), “Close the door” (1955), and “Hot Diggity (Dog Ziggity Boom” (1956). The group also served as backing singers on recordings by many artists including Petula Clark, Peggy Lee, Frank Sinatra and Jo Stafford.

Interlude Record : Nightingales recorded in Beatrice Harrison’s garden, Oxted.  (Released by HMV (B. 2469) in 1927). Beatrice Harrison was born to British parents in India in 1892. The family moved back to the UK and Beatrice studied at the Royal College of Music in London. She became an accomplished cellist, and became known for her performances of the works of Delius, being the first performer of his Cello Sonata in 1918, and his Cello Concerto in 1921. Her garden in Oxted was home to many nightingales, and she made radio broadcasts from her garden playing cello accompanied by birdsong. She died in 1965.

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78Man albums to be released on CD

Over the last year there have been a series of 78Man albums released digitally on download and streaming sites. Now, they are being made available on made to order CDs, with the first three available now. The first three releases are 78Man Favourites Vol. 1, 78Man presents Charles Penrose, and Songs that Leslie Sarony taught us. They are avaible from Etsy Here , Discogs Here , Ebay from our nominated seller decal23 , or you can order directly from here, by making a Paypal payment to 78man@pobroadband.co.uk – CDs cost £5 each inc p&p in the UK, £6.25 in Europe, and £7.50 for rest of world (inc. p&p). (State which title(s) you require in comments). More releases will be announced shortly.

Track listings for the CDs are :

78Man Favourites Vol. 1 :

  1. The Music goes ’round and around by Jay Wilbur and his band (1936)
  2. Barnacle Bill the sailor No. 2 by Bud and Joe Billings (1930)
  3. On her doorstep last night by The Rhythmic Troubadours (with vocal chorus by Tom Barratt) (1929)
  4. Captain Ginjah by Harry Fay (1925)
  5. My very good friend the milkman by Jack Jackson and his orchestra (1935)
  6. Painting the clouds with sunshine by Al Benny’s Broadway Boys (1929)
  7. Roger the lodger by Leslie Jerome (1929)
  8. By a waterfall by The Eight Piano Orchestra (1934)
  9. Song of the Emmenthaler valley by The Alpine Yodelling Choir (1929)
  10. The sunshine of your smile by Lilian Davies (1930)
  11. Get away, old man, get away by Frank Crumit (1927)
  12. The bushes at the bottom of the garden by Norman Long (1931)
  13. Put your worries through the mangle by Albert Whelan (1930)
  14. When moaning Minnie moans no more by Mr. Lovejoy, Enoch and Ramsbottom (1941)
  15. I’ve never seen a straight banana by Fred Douglas (1927)
  16. Mucking about the garden by The Two Gilberts (1929)
  17. What’s good for the goose is good for the gander by Ed Lloyd and his band (1934)
  18. The More we are together (The Froth blowers anthem) by Alfredo’s band (Vocal chorus by Peter Bernard) (1927)
  19. What do you give a nudist on her birthday? by Leslie Holmes (1934)
  20. Tiptoe thro the tulips by Honolulu Serenaders (1929)

78Man Presents Charles Penrose :

  1. My Giggling Typist (as Charles Jolly and Kaye Connor, Regal MR 331, 1931)
  2. The Laughing Bachelor (as Charles Penrose, Columbia 4236, 1927)
  3. A Merry Little Laugh (as Charles Jolly, Regal G 7896, 1923)
  4. Laughing Stuttering Sam (as Charles Penrose, Columbia DB 856, 1931)
  5. Army Laughs (as Charles Penrose, Colmbia 4691, 1927)
  6. Dismal Desmond the Despondent Dalmatian (as Charles Penrose, Columbia 4236, 1927)
  7. Felix Keeps on Laughing (as Charles Penrose, Winner 4277, 1924)
  8. Happy Herbert (as Charles Jolly, Regal G 7922, 1923)
  9. Laughs and Frills (as Charles Jolly and Kaye Connor, Regal MR 723, 1932)
  10. Seeing Each Other Home (as Charles Penrose, Winner 3910, 1923)
  11. Happy Hikers (as Charles Penrose and Company, Columbia DB 856, 1931)
  12. The Laughing Bassoon (as Charles Jolly and Kaye Connor, Regal MR 723, 1932)
  13. The Laughing Nippy (as The Spoofums, Eclipse SC 26, 1933)
  14. The Laughing Speed Cop (as Joy Day and Merry Andrew, Broadcast 765, 1931)
  15. Young Ideas (as Charles Jolly, Regal G 7922, 1923)
  16. The Laughing Widow (as The Spoofums, Eclipse SC 26, 1933)
  17. The Perpetual Laugh (as Charles Jolly, Regal 7135, 1915)
  18. When I got home (as Charles Penrose, Winner 3910, 1923)
  19. Two Old Sports No. 1-Gouty but Gay (as Penrose and Whitlock, Regal G 7566, 1920)
  20. Two Old Sports No. 2-Merry and Bright (as Penrose and Whitlock, Regal G 7566, 1920)

Songs that Leslie Sarony taught us :

  1. Why build a wall round a graveyard by Roy Leslie (originally released on Eclipse 620 in 1934).
  2. In these hard times by Leonard Henry (Sterno 993, 1932)
  3. Ain’t it grand to be bloomin’ well dead pt 1 & 2 by George Buck and The Roysterers (Edison Bell Winner 5474, 1932)
  4. Jollity Farm by Hal Swain and his band (Regal G 9440, 1929)
  5. Come in Mr Cummin by Clarkson Rose (Zonophone 5429, 1929)
  6. I’m a little prarie flower by Billy Cotton and his band (Rex 9180, 1937)
  7. I lift up my finger and I say “tweet tweet” by Gracie Fields (His Master’s Voice B 2999, 1929)
  8. Gorgonzola by The Two Gilberts (Regal MR 198, 1930)
  9. Bunkey doodle I doh by Harry Hudson’s Melody Men (Edison Bell Radio 1300, 1930)
  10. Wheezy Anna by Roy Leslie (Eclipse 374, 1933)
  11. Wheezy Anna’s wedding day by Billy Cotton and his band (Regal Zonophone MR 1141, 1934)
  12. More Rhymes, Pt 1 & 2 by White Star Syncopators (Piccadilly 893, 1931)
  13. Over the garden wall by Albert Whelan (Imperial 2272, 1929)
  14. Shut the gate by The Two Gilberts (MR 180, 1930)
  15. Forty Seven ginger headed sailors by Jack Hylton and his Orchestra (His Master’s Voice B 5542, 1928)
  16. Mucking about the garden by Clarkson Rose (Zonophone 5429, 1929)
  17. Topsy Turvy Talk by Albert Whelan (Imperial 2453, 1931)
  18. Let’s all sing the lard song by Harry Bidgood and his broadcasters (Broadcast 185, 1927)
  19. Don’t do that to the poor puss cat by Stanley Kirkby (Edison Bell Radio 862, 1928)
  20. Once aboard the lugger, Pt 1 & 2 by Randolph Sutton (Imperial 2644, 1932)

New 78Man album : Songs that Leslie Sarony Taught us

Songs that Leslie Sarony taught us is a Various Artists compilation which features 20 tracks written (or co-written) by Leslie Sarony and covered by other artists. Although Sarony recorded his own versions of these songs it was common in the late ’20s and early ’30s for multiple versions of popular songs to be released. Tracks on the album are ;

  1. Why build a wall round a graveyard by Roy Leslie (originally released on Eclipse 620 in 1934).
  2. In these hard times by Leonard Henry (Sterno 993, 1932)
  3. Ain’t it grand to be bloomin’ well dead pt 1 & 2 by George Buck and The Roysterers (Edison Bell Winner 5474, 1932)
  4. Jollity Farm by Hal Swain and his band (Regal G 9440, 1929)
  5. Come in Mr Cummin by Clarkson Rose (Zonophone 5429, 1929)
  6. I’m a little prarie flower by Billy Cotton and his band (Rex 9180, 1937)
  7. I lift up my finger and I say “tweet tweet” by Gracie Fields (His Master’s Voice B 2999, 1929)
  8. Gorgonzola by The Two Gilberts (Regal MR 198, 1930)
  9. Bunkey doodle I doh by Harry Hudson’s Melody Men (Edison Bell Radio 1300, 1930)
  10. Wheezy Anna by Roy Leslie (Eclipse 374, 1933)
  11. Wheezy Anna’s wedding day by Billy Cotton and his band (Regal Zonophone MR 1141, 1934)
  12. More Rhymes, Pt 1 & 2 by White Star Syncopators (Piccadilly 893, 1931)
  13. Over the garden wall by Albert Whelan (Imperial 2272, 1929)
  14. Shut the gate by The Two Gilberts (MR 180, 1930)
  15. Forty Seven ginger headed sailors by Jack Hylton and his Orchestra (His Master’s Voice B 5542, 1928)
  16. Mucking about the garden by Clarkson Rose (Zonophone 5429, 1929)
  17. Topsy Turvy Talk by Albert Whelan (Imperial 2453, 1931)
  18. Let’s all sing the lard song by Harry Bidgood and his broadcasters (Broadcast 185, 1927)
  19. Don’t do that to the poor puss cat by Stanley Kirkby (Edison Bell Radio 862, 1928)
  20. Once aboard the lugger, Pt 1 & 2 by Randolph Sutton (Imperial 2644, 1932)

The album is available on streaming sites such as Spotify and downoad sites such as Itunes .

78Man Podcast Number 22-Blues

The 22nd 78Man Podcast features Blues records, and can be found on itunes Here or on Soundcloud Here . Tracks featured are :

  1. Birth of the blues by Paul Whiteman and his Orchestra (Released by His Master’s Voice (B 5270) in 1927) Paul Whiteman was born in 1890 in Denver, Colorado and came to prominence in the early 1920s with his Ambassador Orchestra, releasing his first records on the US Victor label (His Master’s Voice in the UK). These early records included “Whispering”, “Anytime, Anyday, Anywhere”, and “Second hand Rose”. As the ’20s progressed his popularity increased, and he was often referred to as “The King of Jazz”. Over the next decade or so he worked with many now legendary artists, such as Bing Crosby, Paul Robeson, Bix Beiderbecke, George Gershwin, Mildred Bailey and Billie Holiday. He also made many radio, TV and film appearances. His popularity waned towards the end of the ’30s and he rarely recorded after 1942. He died in 1967.
  2. Careless Love Blues by Bessie Smith (Released by Parlophone (R 2479) in 1938, recorded in 1925). Bessie Smith was born in Chattanooga, Tennessee, in 1894. She was born to a poor family, and as a child she and her brother busked on the streets of their home town to earn money. She moved on to stage work, initially as a dancer, then singer during the 1910s but didn’t begin her recording career until 1923 when she began recording for the Columbia label. Her records were immediately successful and she toured America playing theatres throughout the country, and making numerous radio appearances. During this time she became known as “The Empress of the blues”.  She made 160 recordings in total for Columbia, including “Aggravatin’ Papa” , “Nobody in town can bake a jelly roll like mine”, “Whoa, Tillie, Take your time” (1923), “Haunted House blues” (1924), “Sing Sing Prison blues” (1925), and “Spider Man blues” (1928). The great depression of 1929 halted Smith’s recording career but she carried on singing live. In 1933 she recorded four songs for the Okeh label, which were her last recordings. She died after being involved in a car crash in September 1937.
  3. Hootin’ Blues by The Sonny Terry Trio (Released by Parlophone (R 3598) in 1952). Sonny Terry was born in Greensboro, Georgia in 1911. He started losing his sight as a teenager, going completely blind by the age of 16. He was taught to play blues harp by his father, and he started performing in public as the only way to make some money. Initially he played with Blind Boy Fuller, then Brownie McGhee, and made his first commercial recordings in 1940. His recordings include “Harmonica Stomp” (1940), “Whoopin’ the blues” (1947), “Lonesome Room” (1951) and “Carolina Blues” (1952). In later years he appeared in several films, including “The Jerk” (1979), “The Color Purple” (1985), and “Crossroads” (1986). He died in March 1986.
  4. Forgotten Woman’s Blues by Humphrey Lyttleton and his Band (Released by Parlophone (R 3513) in 1952). Humphrey Lyttleton was born in May 1921 at Eton College in Berkshire, UK, where his father was a house master. As a result, he himself was educated at Eton. It was at Eton that he developed his love for jazz music, and taught himself to play the trumpet. After serving in the second world war, Lyttleton earned a living as both a musician and cartoonist for the Daily Mail. He made his first recordings in the late ’40s for small labels such as Tempo, London Jazz and Melodisc (the latter with Sidney Bechet). In 1950 he signed to Parlophone, where he remained for most of the next decade. His recordings for the label include “Snake Rag” (1950), “Trog’s blues” (1951), “East Coast Trot” (1954), “Fish seller” (1955) and probably his best remembered song “Bad Penny Blues” (1956), an instrumental produced by Joe Meek, and an inspiration to Paul McCartney on The Beatles song “Lady Madonna”. In later years Lyttleton became a radio personality, presenting “The Best of Jazz” on BBC Radio 2 from 1967 to 2007, and the comedy panel show “I’m sorry I haven’t a clue” on BBC Radio 4 from 1972 until his death in April 2008.
  5. The Bluebottle Blues by The Goons (Released by Decca (F 10756) in 1956). The Goon Show was broadcast by the BBC throughout the 1950s, the first series (which was called “Crazy People”) aired in 1951, and the last series (the tenth) began on 24 December 1959 and ended on 28th January 1960. The Goons comprised Spike Milligan, Peter Sellers, Harry Secombe and (for the first two series only) Michael Bentine. The earlier series were not recorded, and only a handful of episodes exist from the first four series. From series five onwards all episodes survive, although some were edited. The Radio series was wildly successful and led to spin off records and films. In 1956 two records- “I’m walking backwards for Christmas” (with “Bluebottle blues” on the B side), and “Bloodnok’s Rock ‘n’ Roll Call”/”The Ying Tong Song” made the UK top 10 singles chart (the latter was also a hit on re-issue in 1973). In 1951 Sellers, Milligan and Secombe appeared in the film “Penny Points to Paradise” and the following year they appeared (along with Bentine) in the film “Down among the Z men”. Although the radio series ended in January 1960, there was further Goon activity-in 1963/4 a puppet TV series, The Telegoons, featured the voices of the three Goons, running to 26 episodes. In 1968 Thames TV made a one off TV re-enactment of the radio episode “Tales of Men’s shirts”, and in 1972 the BBC televised another one off, called “The last Goon show of all”. In 1978, the three Goons made a final one off record, “The Raspberry song”/”Rhymes”.
  6. Hamp’s Salty Blues by Lionel Hampton and his Quartet (Released by Brunswick (03732) in 1946). Lionel Hampton was born in Louisville, Kentucky, in 1908. As a teenager he learned to play xylophone and drums. His first recordings were made with Paul Howard’s Quality Serenaders in the late ’20s. By this time he was also playing vibraphone, and played on two recordings by Louis Armstrong in 1930. In the ensuing years he performed and recorded with Bing Crosby, Benny Goodman and Nat Shilkret, while also developing his own Lionel Hampton Orchestra. In 1937 he began recording for the US Victor label (released by His Master’s Voice in the UK), and over the following years his popularity increased rapidly with the release of such records as “Stompology” (1937), “Dinah” (1940), “Blue” (1941) and “Bouncing at the Beacon” (1944). In the mid ’40s he moved to Decca in the US (Brunswick in the UK) and his success continued throughout the 1950s, only going into decline during the ’60s. In the late ’70s he founded his own “Who’s who in Jazz” label and made his own recordings. In 1984 he played the University of Idaho’s annual jazz festival for the first time, and the following year the festival was renamed The Lionel Hampton Jazz Festival. He carried on performing regularly until 1991, when he suffered a stroke. After this he only performed sporadically, but was still active musically until 2001, a year before his death in September 2002.
  7. Walkin’ and Whistlin’ Blues by Les Paul (Released by Capitol (CL 13568) in 1951). Les Paul was born as Lester William Polsfuss in Wisconsin, USA in 1915 and began his musical career while still a child-at 8 he learnt to play the harmonica before moving on to guitar (later inventing a harmonica holder which enabled him to play guitar and harmonica simultaneously). By the age of 13 he was working semi-professionally and at 17 dropped out of school to work full time as a musician. In the early thirties he was appearing regularly on radio and made his first record in 1936 under the name Rhubarb Red, shortly before adopting the name Les Paul. In the ensuing years he worked with stars such as Nat “King” Cole and Bing Crosby, while also designing and making his own electric guitar and experimenting with different sounds. His innovative guitar playing influenced many later guitar players. In the mid ’40s he built his own recording studio and began experimenting with multi track recording and over-dubbing, techniques hitherto largely unheard of in recording. It was at this time that Les Paul met and married Mary Ford (born Iris Summers in 1924) and they began recording together as a duo, scoring many hits during the first half of the 1950s, also having their own TV show. The marriage lasted until 1964. After their split, Paul carried on as a solo artist, recording the acclaimed album “Les Paul Now” in 1968. In the ’70s he teamed up with Chet Atkins for the albums “Chester and Lester” (1976) and “Guitar Monsters” (1978). He carried on recording sporadically up to 2008 (when he was well into his 90s!). Mary Ford died in 1977, and Les Paul in 2009.
  8. Graveyard Dream Blues by Ida Cox (First released by US Paramount (12044) in 1923). Ida Cox was born (as Ida Prather) in Toccoa, Georgia, but her year of birth is in dispute, given variously as 1888, 1894, or 1896. She began singing gospel music as a child in the choir of her local Methodist church, before leaving home to tour in Vaudeville at the age of 14. Her first husband, Adler Cox died in the First World War but she kept his surname as her stage name when she later married Eugene Williams in the early ’20s. This marriage didn’t last, and in 1927 she married pianist Jesse Crump, who became her manager and accompanist. In 1923 Cox was signed to the Paramount label, and recorded with them until 1929, releasing records such as “Fogyism”, “Bone orchard blues” and “Moanin’ Groanin’ blues”. After the depression of 1929 Cox continued stage performances but didn’t record again until 1939 when she recorded for Vocalion Records, before moving to Okeh in 1940. She continued performing and recording until 1945, when a stroke brought her singing career to a halt. She effectively retired until 1961, when she recorded the album “Blues for Rampart Street”, her last recording. She suffered another stroke in 1965, and died in November 1967.
  9. Bye Bye Blues by Bert Lown and his Orchestra (Released by Columbia (CB 139) in 1930). Bert Lown was born in New York in 1903. He learned to play violin and began his career in the Fred Hamm band, before becoming leader of his own dance band. “Bye bye blues” is his most famous composition, and he also wrote “You’re the one I care for” and “Tired”. His recordings include “The first girl I met”, “By my side”, “Were you sincere?” and “Now you’re in my arms”. He stopped leading his band in the mid ’30s and moved into management and worked as a booking agent, before moving into Television. He died in 1962.

78Man Podcast Number 21-Durium Records

The 21st 78Man podcast features records from just one label-Durium Records, which was in existence for less than a year in 1932/3, and released one sided 2 track cardboard flexi discs. It can be heard on Itunes Here or Soundcloud Here . All the tracks on this podcast are by The Durium Dance Band and tracks heard are :

  1. Just Humming along (released as Track 2 on EN 13)
  2. One hour with you/What would you do (EN 14)
  3. Gipsy Moon (Track 2 on EN 16)
  4. Round the Marble Arch/It’s that little extra something (EN 17)
  5. It ain’t no fault of mine/The echo of a song (EN 19)
  6. Lovable/Foolish over you (EN 21)
  7. I do like a game of football/Underneath the arches (EN 36)

Durium Records was a short lived label, only releasing records between April 1932 and January 1933, on single sided cardboard flexi discs, with two songs per side. Released on a Friday (pay day for most UK workers), the records cost just 1 shilling (5p in new money, or around £3.20 in todays money when inflation is taken into account), and were usually sold at newspaper stands rather than conventional record shops. The name of the label came from a synthetic resin, invented in 1929 by an American professor, Dr. Hal Trueman Beans, which was used to cover the playing side of the record, making it possible to stamp the grooves onto the cardboard disc. Durium Records were based in Slough, and as well as releasing records in the UK, also exported to several European countries, such as Germany, Norway, and Denmark. The label ceased production in January 1933, the last release being EN 44, which comprised “Let’s all be fairies”/”Toasts”. Although the EN series was the main one, there were a few other catalogue series, such as BD, F and M, bringing the total number of UK releases to around 75. Although the majority of Durium’s releases were credited to the Durium Dance Band (a catch all name used by various artists), there were also a few releases by the American Jack Norman’s Orchestra, and Carson Robison & his Pioneers, and one-off releases by Tommy Handley, Terry’s Quick changers, Morton Downey and Orchestra, and the Cuvelier Accordion band.

78Man Podcast Number 20-France

The 20th 78Man Podcast has France as its theme. It can be heard on itunes Here or on Soundcloud Here . Tracks heard on the podcast are :

  1. Bells of Normandy by Harry Hudson’s Melody Men with Max Klein (Xylophonist) (Originally released by Edison Bell Radio (1493) in 1931.) Harry Hudson was born in 1898 and began his musical career as part of a double act with fellow singer Stanley Kirkby in 1915. Their association carried on until the mid ’20s. In 1928 Harry Hudson (with his band The Melody Men) started recording for the Edison Bell Radio label, and over the next few years released many records for the label, including “I want to be alone with Mary Brown”, “Misery Farm”, “Moscow”, “Mickey Mouse” and “One little raindrop”. He and his band also recorded under various pseudonyms-Rolando and his Blue Salon Orchestra, Radio Melody Boys, The Blue Jays, and Tanzoni and his Orchestra. Hudson remained active musically until the 1960s, and died in 1969.
  2. La Vie en rose (Take me to your heart again) by Gracie Fields (released by Decca (F. 9031) in 1948. Gracie Fields was born 9 January 1898 in Rochdale and christened Grace Stansfield. She made her first stage appearance at the age of 7 and made her first recordings for His Master’s Voice in 1928, recording one of her biggest hits, “Sally” for them in 1931. In 1935 she moved to Rex Records, her first release for the label being “When I grow too old to dream”/”Turn ‘Erbert’s face to the wall, Mother” on Rex 8557. She recorded for both Rex and Regal Zonophone until moving to Decca in 1941. During this time, of course, she also appeared in several films, including “Sally in our alley” (1931), “Sing as we go!” (1934), “Look up and laugh” (1935), “Queen of hearts” (1936), and “Shipyard Sally” (1939). Gracie spent most of her later life living on the Isle of Capri where she died on 27th September 1979. La Vie en rose was written in 1945 and became one of Edith Piaf’s best known songs. Other cover versions of the song have been recorded by Bing Crosby, Louis Armstrong, Donna Summer and Grace Jones.
  3. Ecris Moi by Tino Rossi (released by Columbia (DF 2377) in 1938). Tino Rossi was born in Corsica in 1907 and went on to become one of France’s biggest ever selling singers, as well as appearing in over 20 films. He died in 1983.
  4. Passe by Jean Sablon (released by Brunswick (03872) in 1946). Jean Sablon was born on March 25 1906 to a musical family-his father was a composer and his siblings were also musicians. He started as a pianist but switched to become a vocalist, making his debut aged 17 in cabaret in Paris. During the ’20s and ’30s he toured extensively, achieving fame in Brazil and the USA, where he later had his own radio show in 1946/7. He also appeared in several films including “The story of Vernon and Irene Castle” (1939), “Miranda” (1948), and “Je connais une blonde” (1963). His popularity in both the UK and USA meant he recorded in both French and English, some of his English recordings including “Can I forget you” (1937), “Two sleepy people” (1939) and “My foolish heart” (1950). He died on February 24 1994.
  5. The poor people of Paris by Winifred Atwell (released by Decca (F. 10681) in 1956). Winifred Atwell was born in Trinidad and Tobago in 1914. She studied pharmacy as her parents were pharmacists, but also played piano, gaining popularity locally. In 1946 she moved to London to study at the Royal Academy of Music. She soon started playing live dates, and made her first BBC Radio appearances in late 1946, although it wasn’t until 1951 that she was signed to Decca and started making records. Her first major hit came in late 1951 with her fourth release “The Black and White Rag”/”Cross hands boogie”, released before the UK singles chart started in 1952. During the rest of the ’50s she had 15 UK chart hits including two number ones-“Let’s have another party” (1954) and “The poor people of Paris” (1956). Other notable hits included “Britannia Rag”, “Flirtation Waltz” and “Port au Prince”. As well as her UK success, she was also hugely popular in Australia, and moved there in the 1970s, by which time her career in the UK had waned (although “The Black and White Rag” was heard regularly as the theme to TV show “Pot black”.) She also had a property in Trinidad where she often stayed . She died in 1983.
  6. Nuits de Paris by Georges Ulmer (released by Columbia (DF 3182) in 1947). Georges Ulmer was born in Denmark in 1919, but grew up in Spain before finding fame in France as a singer and song writer. His most famous song, Pigalle, has been covered by Bing Crosby, Petula Clark, Paul Anka and Jean Sablon, among others. He also appeared in around a dozen films during the ’50s and early ’60s. He died in 1989.
  7. Le barbier de Palermo by Jaques Helian et son Orchestre (released by Pathe (PG 359) in 1950.) Jacques Helian was born in 1912 in Paris. He began his musical career in the early ’30s as a saxophonist for Roland Dorsay’s Orchestra, but after being made a prisoner of war from 1940-1943, he formed his own orchestra. He initially recorded for Columbia, releasing dozens of records for them between 1945 and 1949, before moving to the Pathe label. His Orchestra disbanded in 1957, although Helian performed until the early ’80s. He died in 1986.
  8. The Sunshine of Marseilles by Cavan O’Connor (released by Regal (MR 44) in 1930). Cavan O’Connor was born (as Clarence O’Connor) in Ireland in 1899, but his family moved to England shortly after his birth. He served in the First World War but was injured and demobbed aged 16, and he began his singing career. By the mid ’20s he was appearing in minor roles on stage, in musical theatre and operas, and made his first radio appearance for the BBC in 1925. A couple of years later he began his recording career, first for the Broadcast label, then Regal, Regal Zonophone, Rex and Decca. His records include “Goodnight, Sweetheart” (1931), “My heart is always calling you” (1934), “Shannon River” (1940), and “Little town in the Ould County Down” (1948). He carried on performing until the ’80s, and died in 1997.
  9. Un Refraint Courait dans la rue by Edith Piaf (released by Columbia (4004 F) in 1950.) Edith Piaf was born on 19th December 1915 in Paris. Her father was a street performer of acrobatics, while her mother was a singer in cafes. She was abandoned by her mother soon after birth, and when her father enlisted in the army in 1916 he gave Edith to his mother, who ran a brothel in Normandy. In the late 1920s her father was again working as a street performer and she joined him, and began singing. In 1935 she started singing at Le Gerny’s club off the Champs- Elysees where she was given the nickname La Mome Piaf (The little sparrow). This led to her first recording contract. Over the next decade she became one of the biggest stars in France, and after the war ended in 1945 her fame spread internationally. Piaf had an eventful life, which has been dramatised in several films, most recently and successfully in 2007’s “La Vie en Rose”, named after one of her most famous songs. Piaf carried on working until her death in October 1963 and some of her most famous songs were from relatively late in her career-“Milord” in 1959, and “Non, Je ne regrette Rien” and “Exodus” in 1961.

78Man Podcast Number 15-Love

In honour of Valentine’s Day, the February podcast has love as its theme. It can be found on Soundcloud HERE and on Itunes Here . Tracks heard are :

  1. Gosh! I must be falling in love by Leslie Sarony (originally released by Rex Records (8115) in 1934. Leslie Sarony has been on several previous podcasts and you can read more about him in the blog for the first podcast. This song and 39 others are available to stream/download on the 78Man albums “78Man Presents Leslie Sarony” Vols 1 and 2 on itunes, Spotify, etc. You can see the great man himself singing “Peggotty Leg” Here
  2. Under the sweetheart tree by Randolph Sutton (Released by Edison Bell Radio (1426) in 1931.) Randolph Sutton was born in 1888 in Bristol, and made his stage debut in 1913. He soon became a popular singer but only began recording in earnest in the late 1920s. His other recordings include “All by yourself in the moonlight”, “Oh! Arthur! (What have you done to Martha?)”, “Is Izzy Azzy Woz?”, “Drivin’ the geese to market” and “The sun has got his hat on (He’s coming out today)”. Sutton was a successful stage performer, appearing in many pantomimes and revues, as well as radio and TV appearances (he appeared on BBC TV’s “The Good old days” in 1954.) He continued working until his death, making his final stage appearance on 26th February 1969 in St. Albans, two days before he died. A month later, Radio 2 produced a tribute programme, introduced by George Martin. His influence was such that further tribute programmes were made by Radio 2 in 1980 and 1982. You can see him singing “On Mother Kelly’s doorstep” HERE
  3. Love is just like that by Malcolm Desmond (released by Eclipse (155) in 1932). Malcolm Desmond was a pseudonym used by Billy Scott-Coomber when he recorded for the Eclipse label. Other releases include “We’re all going in for hiking”, “Bathing in the sunshine” and “Wagon wheels”. Billy Scott-Coomber was Irish, and first found fame  as the singer in Jack Payne’s band. He made a few records under his own name, such as “June in January” in 1935 and “There’ll always be an England” in 1939. In the 1950’s he was a regular on BBC Radio’s “Children’s Hour”, and was known for his “nursery sing-songs”. In the late ’50s he became a radio producer, (where he was an early champion of Les Dawson), then in the ’60s became the presenter of the radio show “A night at the music hall”. You can see him performing with his singing grenadiers HERE
  4. I’m in love with Susan by Frank Crumit (released by His Master’s Voice (B. 4331) in 1929.) Frank Crumit was born in 1889 in Jackson, Ohio, USA and made his first stage appearance at the age of 5 in a minstrel show. Although he attained a degree in electrical engineering at university, music was his first love and he concentrated on his stage career, first in a group then solo, singing and playing ukulele, appearing on Broadway in 1918 in “Betty be good”. The following year he began recording, some of his earliest recordings being “I’ve Got The Profiteering Blues”, “Good-Bye Dixie Good-Bye”, and “My Little Bimbo Down On The Bamboo Isle” (all released by Columbia in the US in 1920). In 1925 Crumit signed to the Victor label and it was here he recorded some of his best known songs, such as “I’m Sitting On Top Of The World” (1926), “Abdul Abulbul Amir” (1927), “A Gay Caballero” (1928) and “A High Silk Hat And A Walking Cane” (1929). In 1928 Crumit married Julia Sanderson, also a singer, and they started presenting radio shows, including from 1930 onwards, “The battle of the sexes”, which ran until 1943 when Crumit died of a heart attack.
  5. How to make love by Bud Billings (released by Zonophone (5399) in 1929) Bud Billings was the pseudonym of Frank Luther, see Blog for Podcast 9 (Sept 2016) for more info.
  6. You Always Hurt The One You Love by Spike Jones and his City Slickers (released by His Master’s Voice (B.D. 1139) in 1946) More info on Spike Jones can be found in the blog for Podcast 4 (April 2016). Here’s a clip of Spike Jones and his city slickers in action.
  7. Bubbling Over With Love by The Hottentots (released by Eclipse (59) in 1931. The Hottentots were a pseudonym of the Jay Wilbur band (see Podcast 13 blog-January 2017 for more info on Jay Wilbur.) As The Hottentots they recorded several records on Eclipse, including “Sweet Jennie Lee”, “In Geneva with Eva”, “Whistling In The Dark” and “When Yuba Plays The Rumba On The Tuba”. Eclipse Records was run by Woolworths, and provided cheap releases in competition with the major labels. The Woolworths museum site has more information on the label HERE
  8. Do You Love Me by Dick Haymes (released by Brunswick (3726) in 1946) Dick Haymes was born in Argentina in 1918 of British parents, and the family moved to the USA when Dick was a child. After briefly working as a teenage stunt double in films, Haymes began a singing career, becoming the singer for the Harry James Orchestra and in 1942 he replaced Frank Sinatra as the singer in the Tommy Dorsey band. In 1943 he began recording for Decca in the USA (these recordings being released on Brunswick in the UK), releasing songs such as “You’ll never know”, “Put Your Arms Around Me Honey”, and “In Love In Vain”
  9. Falling In Love Again by Al Vocale and his Orchestra (Released by Edison Bell Radio (1389) in 1930.) It would appear that Al Vocale may be a pseudonym for Al Bowlly; this record is mentioned in a couple of Bowlly discographies but details are sketchy. There was at least one other Al Vocale record on Edison Bell Radio, “Say A Little Prayer For Me”/”Waiting For That Thing Called Happiness”.
  10. Goodnight, Sweetheart by Henry Hall and his Gleneagles Hotel Bar Band (Released by Decca (F. 2330) in 1931). Henry Hall was born in London in 1898. He was interested in music from an early age, winning a scholarship to Trinity College of Music, where he studied trumpet, piano, harmony and counterpoint. He formed his own band and began a residency at the Gleneagles Hotel. During the early ’30s Hall’s band became a regular fixture on BBC Radio, broadcasting from Manchester, and in 1932 he took over from Jack Payne as leader of the BBC Dance Orchestra. As well as his radio appearances he made records for Columbia, including “Goodnight Everyone”, “The Man On The Flying Trapeze” and “Red Sails In The Sunset”. During World War 2 Hall entertained the troops both in radio broadcasts and concerts. During the ’50s he carried on broadcasting and playing live, as well as working as an agent and producer. He retired in 1964 and died in 1989.