Tag Archives: Shellac

78Man Podcast Number 14-Scotland

In honour of Burns night, the 14th 78Man Podcast has Scotland as its theme. It can be heard on Itunes Here     and Soundcloud Here

Tracks on the podcast are :

1.We parted on the shore by Mr Harry Lauder   (Released by Zonophone (X-42582) c.1908). Harry Lauder was born in 1870 in Edinburgh. His Father died when he was 11, and by the age of 14 he was working in a colliery, where he used to sing to his fellow workers. This led to engagements in local music halls, and in 1894 he turned professional. In 1900 he moved down to London where he became immediately successful. Over the next few years his fame grew and he toured America for the first time in 1907. He made his first recordings in 1905 and he recorded prolifically up until the early 1930s.

2.Daft Willy by Sandy Rowan(Released by Broadcast (484) in 1929.) Sandy Rowan was a Scottish comedian active during the late ’20s. His other recordings for Broadcast include “Just A Wee Deoch-an-Doris”, “I love a lassie”, “The cosy corner”, “Wanderin’ Willie”, and “All Scotch”. He first appeared on BBC radio in 1927 and was featured regularly for the next 5 years. After this he only appeared sporadically, for the last time in 1949. Apart from these few records for Broadcast, he doesn’t seem to have made any other recordings.

3. I‘ve got a lover up in Scotland by Mr Billy Williams (Released by Homophon (6851) c. 1913)

4. Jean from Aberdeen by Mr Billy Williams (Released by Cinch (5041) c. 1913 but probably a re-issue of the Zonophone recording from 1908) (For more information on Billy Williams see Podcast 11 Blog, from November 2016)

5. Grandfather’s bagpipes by Gracie Fields (Released by Rex Records (8617) in 1915.) (For more info on Gracie Fields see Podcast 1 blog). “Grandfather’s Bagpipes” was written by Jimmy Harper and Will Haines, who wrote or co-wrote some of Gracie Fields’ biggest hits such as “The Biggest Aspidistra in the world”, “Sally” and “Walter, Walter (lead me to the altar)” as well as the George Formby hit “In my little snapshot album.”

6. The Campbells are coming by The Two Leslies (Released by Regal Zonophone (MR 2225) in 1936.) (For more info on The Two Leslies, see Podcast 3 blog.)

7. When I get back tae Bonnie Scotland by Sandy Macgregor (Released by Regal (G 6481) in 1914.) This was a song written by Harry Lauder. Little is known about Sandy Macgregor, this seems to be his only record.

8. I’m the monster of Loch Ness by Leslie Holmes (Released by Rex Records (8094) in 1934.) Leslie Holmes was born in December 1901 in Newcastle upon Tyne, and died in December 1960. He was often billed as “Leslie Holmes (and his smiling voice)” and as well as a successful comedy singing career in the ’30s and ’40s (solo under his own name and as Roy Leslie and as part of The Two Leslies), he appeared in a couple of films-“Aunt Sally” in 1934 and “When you come home” in 1948.

9. Hoots Mon by Gordon Franks and his Orchestra (Released by Embassy (WB 312) in 1958.) “Hoots Mon” was a number 1 hit for Lord Rockingham’s XI in late 1958. This version was a cover version on Woolworth’s budget label, Embassy. Franks recorded regularly for the Embassy label, releasing tribute albums to Glenn Miller, Duke Ellington, Count Basie and Tommy Dorsey. He went on to record for Parlophone in the early ’60s, releasing singles of the theme tunes to TV series “The Rag Trade” and “Outbreak of Murder”. Composing music for TV shows became Franks’ main activity in the ’60s and ’70s, his credits including “Sykes”, “Father dear Father” and “Citizen James”.

10. The end of the road by Sir Harry Lauder. (Released by Zonophone (G.O. 64) in 1925.) Following his first flush of success (in 1911 he became the highest paid entertainer in the world), Lauder spent much of the Great War raising money for the war effort, for which he was knighted in 1919. The war held personal tragedy for Lauder; his son John was killed in December 1916 at Pozieres. John’s death inspired Lauder to write “The end of the road” which became one of his best known songs. Despite retiring in 1935, Lauder also entertained the troops during World War 2. He died in February 1950.

78Man Podcast Number 11-The 1910s

The 11th 78Man Podcast showcases music from the 1910s. It is available on itunes HERE or on Soundcloud Here. Tracks heard on the Podcast are :

  1. I’m 21 Today by Jack Pleasants (Released by The Winner (2089) in 1912) Jack Pleasants was born in Bradford in 1874 and was a music hall star of the early 20th century, billed as “The Bashful Limit”. His other recordings include “Where do the flies go in Winter”, “Feeding the ducks on the pond”, “Watching the trains come in”, and “I deserve a good slapping”. He died in 1924.
  2. Always Jolly by Billy Whitlock (Released by Beka-Grand Record (203) in 1912) Billy Whilock was born Frederick Penna in 1874, in Cheltenham. He began his recording career in the early 1910s, and continued recording into the 1940s. Other recordings include “Chuckles” (1915),”Billy Whitlock’s Aeroplane” (1926), and “Scotch Hot” (1949). Whilock was, like Charles Penrose, a singer of “laughing” songs and he teamed up with Penrose for some recordings, including “The Yuletide Coach” (1925) and “Two old sports” (1920). Whitlock died in 1951.
  3. Squeeze her Ebeneezer by Billy Williams (Released by Zonophone (1012) in 1913) Billy Williams was born Richard Banks in Australia in 1878, but moved to the UK in 1899, becoming an entertainer and changing his name to Billy Williams. He made his first recordings in 1906 and over the next 9 years became a huge star and prolific recording artiste, making over 500 recordings. He died in March 1915 aged 37. Among his most famous records are “When Father papered the parlour”, “Little Willie’s Woodbines” and “John go and put your trousers on”.
  4. The Wibbly Wobbly Walk by Fred Elliott (Released by Scala (305) in 1913) Fred Elliott was actually a pseudonym for Jack Charman (see below). Other recordings under this name include “Hush! Here comes the dream man” and “You taught me how to love you”.
  5. Cohen on telephone deportment by Joe Hayman (Released in 1913) Joe Hayman was born Joseph Hyman in the US in 1876, and for a while partnered with a young Harry Houdini. After they split, Hyman added an a to his surname and shortened his first name to become Joe Hayman, and moved to the UK where he recorded “Cohen on the telephone” in 1913 for Regal Records. In the US it was released by Columbia and became the first record to sell a million copies. This success inevitably led to the recording of several sequels, including “Cohen calls his tailor on the phone” (1918), “Cohen ‘phones for a phone” (1923), and “Cohen phones the gas co.”. Hayman died in 1957.
  6. Hello, hello, who’s your lady friend by Jack Charman (Released by Coliseum (662) in 1914). Jack Charman was actively recording from around 1911-1924 and his other recordings include “He played on his fiddle-dee-dee”, “Hello old whats-a-name”, “Father went down to Southend”, and “Who were you with last night?”.
  7. Take me back to dear old Blighty by Florrie Forde (Released by Zonophone (1725) in 1916. For more information on Florrie Forde see blog for Podcast number 1 (March 2016).
  8. I had no mother to guide me by George Formby (Senior) (Released by Zonophone (1831) in 1917. For more information on George Formby Senior see blog for Podcast number 8 (September 2016).
  9. Sensation Rag by Original Dixieland Jazz Band.(Released by U.S. Victor 18483, 1918). The Original Dixieland Jass Band (as they were originally known) formed in 1916 and made their first recordings in 1917, when “Livery stable blues” became the first ever jazz record. Over the next few years the band made many recordings and were so successful they spawned a boom in jazz music. Other recordings include “Tiger Rag” (probably their best known record), “Skeleton Jangle”, “At the Jazz band ball”, and “I’m forever blowing bubbles”. The band broke up in the late ’20s but reformed in 1936 and carried on with varying line ups during the ’40s and ’50s.

78Man Podcast No. 10 – The Beatles

The Tenth 78Man podcast features song related to The Beatles. It can be heard on itunes HERE or on Soundcloud HERE . Tracks featured are :

  1. Please by The Blue Mountaineers (Released in 1932 by Broadcast Four Tune). “Please” was a hit for Bing Crosby in 1932, and it’s a song which made a big impression on the young John Lennon over a decade later. The first line of the song goes “Oh Please, lend your little ears to my pleas”  and  John, a big reader and interested in words, was fascinated by the double meaning of the words please/pleas. This influenced him later when he came to write the song “Please Please Me”. The  Blue Mountaineers recorded quite a few records for the Broadcast labels from 1932-1934, and consisted mainly of musicians from Ambrose’s band, often with Nat Gonella or Sam Browne on vocals. Other Blue Mountaineers recordings include “Bahama Mama”, “Say to yourself I will be happy”, “Sweet Sixteen and never been kissed”, and “Is I in love? I Is!”.
  2. Ain’t she sweet by Eddie Sheldon (Released by Edison Bell Winner (4631) in 1927.) “Ain’t she sweet” was a popular song when it was first released in 1927, with multiple versions recorded. The song remained popular and was covered in 1956 by Gene Vincent, and it was this version that The Beatles covered in their early live sets, including when they played in Hamburg starting in 1960. In 1961 while still in Germany they scored a recording contract with Polydor, mainly as backing band for Tony Sheridan, but one of the songs recorded was their version of “Ain’t she sweet” with vocals by John Lennon. Unreleased at the time, it was released as a single in the UK in 1964, reaching number 29. Eddie Sheldon was active as a singer in the late ’20s but didn’t have a lasting career. Other recordings by him include “Let me call you sweetheart”,”Meet me at Twilight” and “Shepherd of the hills”.
  3. I wish I could shimmy like my sister Kate by Muggsy Spanier and his Ragtime Band (Released by His Master’s Voice (B 9047) in 1940). “I wish I could shimmy like my Sister Kate” was written in 1919 by Clarence Williams and Armand Piron. The song became a jazz standard and was revived in 1960 by The Olympics-it was probably this version that prompted The Beatles to start covering the song in their arduous Hamburg stage act, where they were expected to play for hours on end every night. They were still playing it when they were recorded live in Hamburg in December 1962, a recording subsequently released for the first time in 1977 (and many times since). Muggsy Spanier was born in Chicago in 1901 and went on to make his name as a cornet player in several Dixieland Jazz bands. During his career he worked with other legendary jazz musicians such as Earl Hines, Fats Waller, Sidney Bechet and Bob Crosby. He died in 1967.
  4. Falling in love again by Jack Leon’s Dance Band (Released by Piccadilly (617) in 1930. “Falling in love again” was written in 1930 by Friedrich Hollaender and originally had German lyrics. The English lyrics were written by Sammy Lerner. The song was famously sung by Marlene Dietrich in the film The Blue Angel, and became a standard. The Beatles played it in their Hamburg sets and it’s another song captured on their live Hamburg tape. Jack Leon made several records in the late ’20s and early ’30s, including “Pagan love song”, “On the sunny side of the street” and “I want to be bad”.
  5. Robin Hood by Dick James (Released by Parlophone (R 4117) in 1956). George Martin started working for EMI’s Parlophone label in 1950 and was responsible for producing many of the records released on the label from then on; in 1955 he was promoted to head of the label. One of his successes was this recording in 1956 by Dick James, born in 1920 and a professional singer since 1940. As his singing career petered out in the late ’50s, James turned to music publishing, starting his own Dick James Music publishing company in 1961.Through his friendship with Martin, he became involved with The Beatles’ publishing-their Northern Songs company was administered via Dick James Music, although the relationship soured towards the end of the ’60s. Dick James began his own record label (DJM) and had huge success with Elton John in the ’70s. He died in 1986.
  6. Raunchy by Billy Vaughan and his Orchestra (Released by London (HLD 8522) in 1957. “Raunchy” plays an important part in The Beatles story as it was the tune which George Harrison played to John Lennon when he was introduced to him by Paul McCartney. Despite George being more than 2 years younger than John he was invited to join the band because of how well he played this song. “Raunchy” was originally released by Bill Justus, who co-wrote the song with Sidney Manker.American Billy Vaughan was born in 1919 and learnt to play several instruments as a child but it was not until after the end of World War 2 that he decided to make a career as a musician. He had success in the early ’50s as a member of The Hilltoppers, then began working for Dot Records as music director and started his own orchestra, going on to have over 40 hits in the US, although he had little success in the UK. He died in 1991.
  7. In the middle of the house by Alma Cogan (Released by His Master’s Voice (POP 261) in 1956). Alma Cogan was born in 1932 in London. She began singing as a child, and at 14 was recommended by Vera Lynn for a variety show in Brighton. By the age of 20 she had been signed to HMV, and had her first hit with “Bell Bottom Blues” in 1954. Many UK hits followed, including the number 1 “Dreamboat” in 1955. “In the middle of the house” made number 20 in 1956. Her popularity began to wane in the UK in the early ’60s, although she remained popular overseas. Alma met The Beatles at a recording of the TV show “Ready Steady Go!” in 1964 and became friends with them, being especially close to John Lennon who it is alleged she had an affair with. Alma made her last recordings in 1965, which included a couple of Beatles covers, but failing health meant her career started to falter. She made a few public appearances in 1966 but died in October, aged just 34.
  8. I’m gonna sit right down and write myself a letter by Billy Williams. “I’m gonna sit right down and write myself a letter” was written in 1935 by Fred Ahlert and Joe Young and was an immediate hit when recorded by Fats Waller and again the following year when The Boswell Sisters recorded it. Later versions include those by Frank Sinatra, Nat King Cole and Dean Martin. The version by Billy Williams was a major hit in 1957, and became a favourite of the young Paul McCartney, although it doesn’t seem to have been performed by The Beatles/Quarrymen at the time. (Bill Haley & The Comets also recorded a version around this time). Decades later, Paul McCartney finally recorded a version of the song for his 2012 album “Kisses on the bottom” (a title taken from the lyrics to the song). Billy Williams (not to be confued with the Australian Billy Williams of “Little Willie’s Woodbines” fame) was born in Texas in 1910 and was the lead singer of The Charioteers between 1930 and 1950, when he formed his own band. Although he had some smaller hits in the US, “I’m gonna…” was his biggest, and his only hit in the UK. He died in 1972.
  9. That’ll be the day by The Crickets (Released by Coral (Q 72279) in 1957). Buddy Holly and The Crickets were a big influence on John Lennon, Paul McCartney and George Harrison and when, as the Quarrymen, they made their first studio recording in 1958, they chose “That’ll be the day” as one side of the two sided acetate they recorded. (Their version was finally released on the “Anthology 1” album in 1995.) The Crickets hit version of the song was released in 1957, although Holly had recorded a version in 1956 with The Three Tunes. The song was written by Holly and Jerry Allison, although the Crickets version also credits producer Norman Petty, despite him having no hand in writing the song. Buddy Holly was born in 1936 in Lubbock, Texas and had his first hit with “That’ll be the day” in 1957. His career was short as he was killed in an air crash on Feb 3 1959 but in that time he wrote and recorded many classics (“Rave on”, “Peggy Sue”, “It doesn’t matter any more”, “Oh Boy”, “Maybe baby” etc.) and left a legacy which still resonates today.

 

78Man Podcast No. 7

 

The seventh 78Man presents podcast features comic monologues and sketches recorded between 1915 and 1945. It can be found on Soundcloud HERE and on iTunes HERE Tracks heard are

  1. John Henry’s Wireless Elephant by John Henry Himself                                                                              (Released by Regal (G 8059) in 1923.) Now largely forgotten, John Henry recorded several records from the early ’20s to the early ’30s, often with his side-kick “Blossom”.
  2. Mrs ‘Iggins and the plumber (Parts 1&2) by Fred Beck and Frank Buck and Company (Released by Regal (MR 259) in 1931). Fred Beck and Frank Buck and their Mrs ‘Iggins character were popular on the stage and radio in the late ’20s and throughout the ’30s and released a series of “Mrs ‘Iggins ..” (at the picture palace, at a night club, goes shopping etc.)
  3. Casey at the dentists by Michael Casey                                                                        (Released by Regal (G 7115) in 1915). Michael Casey appeared on record as an Irish comedian but was in fact the alter-ego of American Russell Hunting, who started releasing recordings on wax cylinder in the mid 1890s. He made many recordings  including Casey “As a doctor”, “At the wake”, “At Home”, “As a Judge” “As the dude in a street car” and “Joins the masons”. Born in 1864, Hunting went on to be come a businessman in the record industry, working in both the UK and US, and died in 1943.
  4. Getting my temper up by Tom Foy                                                                                 (Released by Zonophone (1751) in 1917). Tom Foy was born in Manchester in 1879 and went on to become  a huge music hall star, being referred to as “The Lancashire lad”. He recorded many records for Zonophone from around 1910 onwards until his death in 1917 aged just 38. Other recordings include “My girl’s promised to marry me”, “I’ve been to America”, “All through T’Black Horse” and “In trouble again”.
  5. Sid Field plays golf (parts 1&2) by Sid Field and Company                                    (Released by Columbia (DB 2163) in 1945). Sid Field was born in 1904 in Birmingham (UK). He made his stage debut aged 12 but it was another 20+ years before he found national fame, becoming one of the most successful comedians of the ’40s mainly through stage and radio appearances but also in 3 (not very successful) films – “That’s the ticket” (1940), “London Town” (1946) and “Cardboard Cavalier” (1949). Although he is largely forgotten today, many comedians have cited him as an influence, including Tommy Cooper, Larry Grayson, Frankie Howerd, Eric Morecambe, Eric Sykes and Tony Hancock. He died aged 45 in 1950 after suffering a heart attack.
  6. Motoring without tears (parts 1&2) by Angela Baddeley and L. Du Garde Peach    (Released by His Master’s Voice (B.D. 2813) in 1928). Born in 1904 in West Ham, Baddeley was a child actor, making her stage debut at 8 and appearing in Richard III at the Old Vic by the time she was 11. At 18 she took a brief break from acting and married for the first time, before returning to the stage in the late 1920s. She appeared in two films in 1931, “The Speckled Band” and “The Ghost Train” and later appeared in such films as “The Citadel” (1938), “No time for tears” (1957) and “Tom Jones” as well as many TV appearances. She is now best remembered for her portrayal as Mrs Bridges in the classic TV Series “Upstairs Downstairs” from 1971-1975. She died shortly after the series ended, in February 1976. L. Du Garde Peach was born in 1890 and was an author and playwright, mainly remembered now for his children’s books. He wrote this sketch, as well as appearing as the male character. He died in 1974.
  7. My Maggie by Jack Lane, The Yorkshire rustic                                                            (Released by Regal (G 7324) in 1922). Popular on record during the ’20s (although he started his stage career in the 1900s), Jack Lane is another largely forgotten comedian. His other records for Regal included “Where does the Rhinososorus get its Rhino”/”Down in the dell, where the Cross-eyed Claras grow”
    and “When Callachan cooked the cock-a-doodle-do”/”Kruschen feeling”.
  8. Canoodling part 2 by Hal Jones.                                                                                      (Released by Regal (G 7948) in 1923). Another forgotten comedian of the ’20s and ’30s, Hal Jones appeared in a short film of “Canoodling” in 1928, and the following year appeared in the film “Splinters in the navy”.